Peter Boyer, Blair Brown, Louis Zorich, Olympia Dukakis, Eli Wallach, Bebe Neuwirth, Barry Bostwick, Anne Jackson, Philharmonia Orchestra's 'Ellis Island: The Dream of America: Epilogue: "The New Colossus" (Emma Lazarus, 1883), read by all actors' came out on May 1, 2005. With Ellis Island: The Dream of America: Epilogue: "The New Colossus" (Emma Lazarus, 1883), read by all actors being less than two minutes long, at 1:45, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 15 out of 15 in Boyer: Ellis Island: The Dream of America by Peter Boyer. Ellis Island: The Dream of America: Epilogue: "The New Colossus" (Emma Lazarus, 1883), read by all actors is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Ellis Island: The Dream of America: Epilogue: "The New Colossus" (Emma Lazarus, 1883), read by all actors by Peter Boyer, Blair Brown, Louis Zorich, Olympia Dukakis, Eli Wallach, Bebe Neuwirth, Barry Bostwick, Anne Jackson, Philharmonia Orchestra is Grave (very slow), since this song has a tempo of 36 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song has a musical key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Dr. Merryheart: V. Variation 4: Merryheart As a Chivalrous Knight Chases Bluebeard (Als ritterlicher Kampe verfolgt Merryheart den Blaubart) | RTÉ National Symphony Orchestra, Havergal Brian | F Major | 2 | 7B | 92 BPM | ||
New Beginnings | Peter Boyer, Kalamazoo Symphony Orchestra, Raymond Harvey | F Major | 2 | 7B | 138 BPM | ||
First Movement Molto Moderato | Sir Adrian Boult, Vaughan Williams, London Philharmonic Orchestra | D Major | 2 | 10B | 74 BPM | ||
Three Olympians: II. Aphrodite | Peter Boyer, London Philharmonic Orchestra | E Major | 1 | 12B | 75 BPM | ||
La doña del hotel | Gabriel Andrés Gallegos, Budapest Art Orchestra | E Major | 0 | 12B | 84 BPM | ||
Ironía del destino I | Juan Pablo Fernández Ramos | C Major | 1 | 8B | 79 BPM | ||
Proving the Existence of Folkloric Creatures | Milo Paulus | F♯ Major | 3 | 2B | 65 BPM | ||
Symphony No. 1 "Land of the Free": IV. Sins of Inaction | Christopher Schmitz, London Symphony Orchestra, Stefan Sanderling | D Minor | 1 | 7A | 89 BPM | ||
A PLAY ABOUT GHOSTS | ЧЕПЦОВ Александр, LEX STONE | D Major | 2 | 10B | 178 BPM | ||
2 Jamaican Pieces: Jamaican Song | Arthur Benjamin, RTE Concert Orchestra, Ernest Tomlinson | E♭ Major | 0 | 5B | 75 BPM |
Section: 0.6223528385162354
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