Symphony No. 1 "Land of the Free": IV. Sins of Inaction - Christopher Schmitz, London Symphony Orchestra, Stefan Sanderling Information

Acousticness: 69%
Danceability: 16%
Energy: 14%
Instrumentalness: 86%
Liveness: 84%
Loudness: 65%
Speechiness: 4%
Valence: 6%
Popularity: 0%
Loudness: -21.045 dB

Summary

"Symphony No. 1 "Land of the Free": IV. Sins of Inaction" by Christopher Schmitz, London Symphony Orchestra, Stefan Sanderling was released on May 10, 2024. With this song being around four minutes long, at 4:20, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 7 out of 8 in Christopher Schmitz: Violin Concerto & Symphony No. 1 "Land of the Free" by Christopher Schmitz, London Symphony Orchestra, Stefan Sanderling, Amy Schwartz Moretti, London Voices. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Symphony No. 1 "Land of the Free": IV. Sins of Inaction is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Symphony No. 1 "Land of the Free": IV. Sins of Inaction BPM

The tempo marking of Symphony No. 1 "Land of the Free": IV. Sins of Inaction by Christopher Schmitz, London Symphony Orchestra, Stefan Sanderling is Andante (at a walking pace), since this song has a tempo of 89 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.

Symphony No. 1 "Land of the Free": IV. Sins of Inaction Key

D Minor is the music key of this track. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.

Recommendations

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Symphony No. 3 in C Minor, Op. 44: II. Andante	Sergei Prokofiev, Gianandrea Noseda, London Symphony Orchestra	A Minor	0	8A	66 BPM
Tromsö 2018 I	Christian Lindberg, MIN Ensemble	C Major	0	8B	70 BPM
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Prélude à l’après-midi d’un faune, CD 87 (Arr. for Octet by G. Steele Johnson)	Claude Debussy, Graeme Steele Johnson, Ji Weon Ryu, Han Lash, Bora Kim, Rachel Loseke, Matthew Cohen, Yun Han, Kohei Yamaguchi	F Minor	2	4A	140 BPM
Suite No. 2 for 2 Pianos, Op. 17: IV. Tarantella	Sergei Rachmaninoff, Daniil Trifonov, Sergei Babayan	D Minor	3	7A	92 BPM
String Quartet No. 9 in E-Flat Major, Op. 117: I. Moderato con moto	Dmitri Shostakovich, Carducci String Quartet	B♭ Major	0	6B	82 BPM
Cinderella: 7. Cinderella, once more sitting by the fireside	Eric Coates, BBC Philharmonic Orchestra, John Wilson	G Major	0	9B	148 BPM
5 Miniatures: No. 5. Bear the Bee	Christopher Schmitz, Monty Cole, Marcus Reddick	A♭ Major	1	4B	81 BPM
Revolución diamantina, Act III: Borders and bodies	Gabriela Ortiz, Los Angeles Philharmonic, Gustavo Dudamel, Los Angeles Master Chorale	D Minor	1	7A	74 BPM

ISRC: USPMZ2412707
Label: L-M Records/RCA Records

Section: 0.7047083377838135

End: 0.7093665599822998