"Torna a Surriento (Arr. Langley)" by Ernesto de Curtis, Elina Garanca, Orquesta Filarmónica de Gran Canaria, Karel Mark Chichon was released on May 10, 2019. The duration of Torna a Surriento (Arr. Langley) is about 3 minutes long, at 3:27. Based on our data, "Torna a Surriento (Arr. Langley)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 17 in the song's album "Sol y Vida". In this album, this song's track order is #7. Torna a Surriento (Arr. Langley) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Torna a Surriento (Arr. Langley) by Ernesto de Curtis, Elina Garanca, Orquesta Filarmónica de Gran Canaria, Karel Mark Chichon having a BPM of 83 with a half-time of 42 BPM and a double-time of 166 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
E♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La Serenata | Francesco Paolo Tosti, Luciano Pavarotti, Orchestra del Teatro Comunale di Bologna, Richard Bonynge | F Major | 3 | 7B | 96 BPM | ||
Va, pensiero | Filippa Giordano | C Major | 4 | 8B | 92 BPM | ||
L'elisir d'amore: Act II: Una furtiva lagrima | Gaetano Donizetti, Lawrence Brownlee, Kaunas City Symphony Orchestra, Constantine Orbelian | G Major | 1 | 9B | 112 BPM | ||
La rosa y el sauce | Carlos Antonio Guastavino, Anna Netrebko | F♯ Minor | 1 | 11A | 81 BPM | ||
Un Bel Di Vedremo (Madame Butterfly) | Renata Tebaldi, Orchestre de la Suisse Romande | D♭ Major | 2 | 3B | 93 BPM | ||
Mi fa male | Anna Netrebko | A Major | 4 | 11B | 82 BPM | ||
Les pêcheurs de perles: Je crois entendre encore (Romance de Nadir) - 1959 Live Version | Georges Bizet, Manuel Rosenthal, Orchestre National de la RTF, Alain Vanzo | A Minor | 1 | 8A | 77 BPM | ||
Songs My Mother Taught Me, Op. 55, No. 4 (Arr. for Violin and Orchestra) | Antonín Dvořák, Joshua Bell, Michael Stern, Academy of St. Martin in the Fields | D Major | 2 | 10B | 102 BPM | ||
Chorus Of The Hebrew Slaves (Nabucco) | Choir and Orchestra of the Budapest State Opera, Josif Conta, Consortium Musicum Ljubjlana | D♭ Major | 0 | 3B | 142 BPM | ||
In a Monastery Garden | Albert Ketèlbey, Ambrosian Opera Chorus, London Promenade Orchestra, Alexander Faris | F Major | 1 | 7B | 102 BPM |
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