"Matthäus-Passion, SWV 479: Introitus: "Das Leiden unseres Herren Jesu Christi" - Remastered" by Heinrich Schütz, Dresdner Kreuzchor, Peter Schreier, Martin Flämig was released on January 5, 2024. The duration of Matthäus-Passion, SWV 479: Introitus: "Das Leiden unseres Herren Jesu Christi" - Remastered is about two minutes long, specifically at 2:11. This song does not appear to have any foul language. Matthäus-Passion, SWV 479: Introitus: "Das Leiden unseres Herren Jesu Christi" - Remastered's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 21 in the song's album "Schütz: Matthäus-Passion". In this album, this song's track order is #1. Furthermore, we believe that the track originated from Germany. In terms of popularity, Matthäus-Passion, SWV 479: Introitus: "Das Leiden unseres Herren Jesu Christi" - Remastered is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Matthäus-Passion, SWV 479: Introitus: "Das Leiden unseres Herren Jesu Christi" - Remastered by Heinrich Schütz, Dresdner Kreuzchor, Peter Schreier, Martin Flämig having a BPM of 107 with a half-time of 54 BPM and a double-time of 214 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
O pulcherrima mulierum a 5 | Jacques Arcadelt, Chœur De Chambre De Namur, Leonardo García-Alarcón, Adrià Gracia | B♭ Minor | 1 | 3A | 81 BPM | ||
6 Chansons: No. 6. Verger | Paul Hindemith, SWR Vokalensemble Stuttgart, Marcus Creed | C Minor | 3 | 5A | 133 BPM | ||
Qui en la garde du haut Dieu pour jamais se retire (Ps. 91) | Jan Pieterszoon Sweelinck, Daniel Reuss, Cappella Amsterdam | B Minor | 2 | 10A | 91 BPM | ||
O quam suavis est: O quam suavis est | Francesco Cavalli, David de Winter, The Brook Street Band | F♯ Minor | 1 | 11A | 86 BPM | ||
Benedictus | Cristobal de Morales, Musica Ficta, Raúl Mallavibarrena | E♭ Major | 1 | 5B | 71 BPM | ||
Corollarium. Canzon à 5 | Johann Hermann Schein, Ricercar Consort, Philippe Pierlot | G Minor | 2 | 6A | 117 BPM | ||
Vespro della Beata Vergine, SV 206: I. Deus in adjutorium | Claudio Monteverdi, Netherlands Chamber Choir, Concerto Vocale, René Jacobs | E Minor | 1 | 9A | 70 BPM | ||
Canon a 3 voc. in unisono, Cantio Sacra | Samuel Scheidt, The Royal Wind Music, Paul Leenhouts | B♭ Minor | 0 | 3A | 80 BPM | ||
Petite messe solennelle: XI. Credo. Credo in unum Deum | Gioachino Rossini, Giulio Prandi, Coro Ghislieri, Sandrine Piau, José Maria Lo Monaco, Edgardo Rocha, Christian Senn, Francesco Corti, Deniel Perer | E Major | 2 | 12B | 128 BPM | ||
Missa pro Defunctis in E-Flat Major, HocJ A1.3: II. Kyrie, 3. Kyrie eleison | Niccolò Jommelli, Il Gardellino, Peter Van Heyghen | D Major | 2 | 10B | 111 BPM |
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