Léo Delibes, New Philharmonia Orchestra, Richard Bonynge made "Sylvia - Act 2: No. 12a Scène et danse de la Bacchante" available on January 1, 1989. With this song being about 5 minutes long, at 4:54, "Sylvia - Act 2: No. 12a Scène et danse de la Bacchante" by Léo Delibes, New Philharmonia Orchestra, Richard Bonynge is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 15 out of 33 in Delibes: Sylvia by New Philharmonia Orchestra, Richard Bonynge. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Based on our statistics, Sylvia - Act 2: No. 12a Scène et danse de la Bacchante's popularity is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Sylvia - Act 2: No. 12a Scène et danse de la Bacchante by Léo Delibes, New Philharmonia Orchestra, Richard Bonynge is Allegro (fast, quick, and bright), since this song has a tempo of 130 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lakmé / Act 1: Miss Rose, Miss Ellen, respectez les clôtures | Léo Delibes, Monica Sinclair, Josephte Clement, Gwenyth Annear, Alain Vanzo, Claude Cales, Orchestre National de l'Opéra de Monte-Carlo, Richard Bonynge | G Major | 2 | 9B | 172 BPM | ||
L’arlésienne Suite No. 2 (Arr. E. Guiraud): IV. Farandole | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | D Major | 3 | 10B | 91 BPM | ||
Over the Mountains High (arr. J. Lloyd Webber for cello and piano) | Frederick Delius, Julian Lloyd Webber, John Lenehan | C Major | 0 | 8B | 71 BPM | ||
Symphony No. 8 in G Minor, Op. 88, B. 163: III. Allegretto grazioso - Molto vivace | Antonín Dvořák, London Symphony Orchestra, Sir Colin Davis | G Major | 1 | 9B | 130 BPM | ||
Symphonie fantastique, Op. 14: Marche au supplice (Allegro non troppo) | Hector Berlioz, Swedish Radio Symphony Orchestra, Daniel Harding | B♭ Major | 2 | 6B | 147 BPM | ||
Capriccio brillant, Op. 22: Andante | Felix Mendelssohn, Matthias Kirschnereit, Michael Sanderling, Frankfurt Radio Symphony Orchestra | B Major | 0 | 1B | 91 BPM | ||
Le roi s'amuse: Passepied | Léo Delibes, Slovak Philharmonic, Ondrej Lenard | A Major | 1 | 11B | 88 BPM | ||
Delibes: Coppélia ou la fille aux yeux d'émail (Ballet), Act 3: No. 20, Fête de la cloche - Divertissement, (g) La paix (Moderato) | Léo Delibes, Jean-Baptiste Mari, Orchestre de l'Opéra National de Paris | G Major | 0 | 9B | 79 BPM | ||
Warsaw Concerto | Richard Addinsell, Jean-Yves Thibaudet, BBC Symphony Orchestra, Hugh Wolff | B Major | 1 | 1B | 76 BPM | ||
Lieder ohne Worte (Songs without Words), Book 6, Op. 67: No. 32 in F-Sharp Minor, Op. 67, No. 2 | Felix Mendelssohn, Péter Nagy | F♯ Minor | 1 | 11A | 166 BPM |
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