London Philharmonic Orchestra's 'XXXVI. Thou shalt break them with a rod of iron' came out on February 14, 2012. The duration of XXXVI. Thou shalt break them with a rod of iron is about two minutes long, specifically at 2:13. This song does not appear to have any foul language. XXXVI. Thou shalt break them with a rod of iron's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in London Philharmonic Orchestra's "Handel: The Messiah, HWV 56" album is number 13 out of 39. In terms of popularity, XXXVI. Thou shalt break them with a rod of iron is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of XXXVI. Thou shalt break them with a rod of iron by London Philharmonic Orchestra to be Andante (at a walking pace) because the track has a tempo of 102 BPM, a half-time of 51BPM, and a double-time of 204 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Tintinnabulum | Karl Jenkins, Mike Ratledge, Adiemus, London Philharmonic Orchestra, Jody K. Jenkins, Miriam Stockley, Mary Carewe, Frank Ricotti | C Major | 3 | 8B | 150 BPM | ||
Elder Scrolls: Oblivion | Jeremy Soule, Andrew Skeet, London Philharmonic Orchestra | D Minor | 2 | 7A | 170 BPM | ||
Continuation Of The Miracle (from "Lawrence Of Arabia") | London Philharmonic Orchestra | F Minor | 1 | 4A | 51 BPM | ||
Blumenduett - Lakmé | Léo Delibes, Alain Lombard, Danielle Millet, Mady Mesple, Orchestre Du Theatre National De L'Opera Comique | B Major | 1 | 1B | 130 BPM | ||
Carmen, Opera Suite No. 1: III. Intermezzo, Act 3 | London Festival Orchestra Alfred Scholz | E♭ Major | 0 | 5B | 134 BPM | ||
Vivaldi: Le quattro stagioni (The Four Seasons), Op. 8: Violin Concerto No. 4 in F Minor, RV 297, "L'Inverno". III. Allegro | Antonio Vivaldi, Itzhak Perlman, London Philharmonic Orchestra | F Minor | 2 | 4A | 150 BPM | ||
Les Contes d'Hoffmann / Act 4: Entr'acte (Barcarolle) | Jacques Offenbach, Staatskapelle Dresden, Silvio Varviso | D Major | 0 | 10B | 121 BPM | ||
Piano Concerto No. 1 in E Minor, Op. 11: II. Larghetto | Frédéric Chopin, Martha Argerich, Charles Dutoit, Orchestre Symphonique de Montréal | B Major | 0 | 1B | 75 BPM | ||
Nefud Mirage (from "Lawrence Of Arabia") | London Philharmonic Orchestra | D Major | 0 | 10B | 62 BPM | ||
Scottish Fantasy for Violin and Orchestra, Op. 46: I. Introduction: Grave, Adagio cantabile | Max Bruch, Joshua Bell, Academy of St. Martin in the Fields | E♭ Major | 2 | 5B | 60 BPM |
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