"L'Estro Armonico, Op. 3 - Concerto No. 12 in E Major for Violin and Strings, RV 265: II. Largo" by Camerata Rhenania was released on January 26, 2010. With this song being around four minutes long, at 3:35, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. This song is part of Vivaldi: L'Estro Armonico and Concertos by Eugen Duvier. The song's track number on the album is #39 out of 54 tracks. In terms of popularity, L'Estro Armonico, Op. 3 - Concerto No. 12 in E Major for Violin and Strings, RV 265: II. Largo is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since L'Estro Armonico, Op. 3 - Concerto No. 12 in E Major for Violin and Strings, RV 265: II. Largo by Camerata Rhenania has a tempo of 105 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With L'Estro Armonico, Op. 3 - Concerto No. 12 in E Major for Violin and Strings, RV 265: II. Largo being at 105 BPM, the half-time would be 52 BPM with a double-time of 210 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 3/4.
E Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto for Bassoon and Orchestra in E-Sharp Major: III. Allegro ma non troppo | Johann Christian Bach, Camerata Rhenania, Hanspeter Gmür, Richard Urech | G Minor | 2 | 6A | 171 BPM | ||
Concerto Grosso in A Minor, Op. 6, No. 4, HWV 322: III. Largo, e piano | George Frideric Handel, Capella Istropolitana, Jozef Kopelman | G Minor | 0 | 6A | 101 BPM | ||
Concerto in A Minor for Oboe and Orchestra, RV 461: II. Larghetto | Vladimir Kurlin, The St. Petersburg Soloists | C Major | 1 | 8B | 89 BPM | ||
Sinfonia for 2 Oboes in G Major (Arr. A. Camden): II. Adagio | Tomaso Albinoni, Anthony Camden, Alison Alty, London Virtuosi, John Georgiadis | E Minor | 2 | 9A | 72 BPM | ||
Violin Concerto in E Major, BWV 1042: I. Allegro | Johann Sebastian Bach, Camerata Antonio Luco, Emmy Verhey | E Major | 3 | 12B | 94 BPM | ||
Coffee Cantata, BWV 211: Aria: Heute noch | Johann Sebastian Bach, Tafelmusik Baroque Orchestra, Jeanne Lamon, Suzie LeBlanc, Nils Brown, Brett Polegato | F♯ Major | 1 | 2B | 120 BPM | ||
Premiere Suite de Symphonies: Rondeau | Jean-Joseph Mouret, Richard Kapp, Philharmonia Virtuosi of New York, Philharmonia Virtuosi | D Major | 4 | 10B | 81 BPM | ||
Symphony No.4 in F Major: 1. Allegro | William Boyce, The English Concert, Trevor Pinnock | E Major | 2 | 12B | 94 BPM | ||
Herz und Mund und Tat und Leben, Cantata BWV 147: 10. “Jesus bleibet meine Freude” | Cantillation, Orchestra of the Antipodes, Brett Weymark | F♯ Major | 1 | 2B | 96 BPM | ||
Bach, JS: Orchestral Suite No. 2 in B Minor, BWV 1067: VII. Badinerie | Johann Sebastian Bach, Christopher Krueger/Boston Early Music Festival Orchestra/Andrew Parrott, Christopher Krueger, Andrew Parrott, Boston Early Music Festival Orchestra | B♭ Minor | 2 | 3A | 122 BPM |
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