Gerald Barry, Joseph Hart, Peter Tantsits, Barbara Hannigan, Joshua Bloom, Birmingham Contemporary Music Group, Thomas Adès's ' "The Importance of Being Earnest, Act II: Mister Worthing! (Live)" was released on its scheduled release date, November 4, 2014. The duration of This song is about two minutes long, specifically at 2:44. This song does not appear to have any foul language. The Importance of Being Earnest, Act II: Mister Worthing! (Live)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Gerald Barry, Barbara Hannigan, Peter Tantsits, Katalin Károlyi, Joshua Bloom, Birmingham Contemporary Music Group, Thomas Adès's "Gerald Barry: The Importance of Being Earnest (Live)" album is number 16 out of 37. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, The Importance of Being Earnest, Act II: Mister Worthing! (Live) is currently unknown. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of The Importance of Being Earnest, Act II: Mister Worthing! (Live) by Gerald Barry, Joseph Hart, Peter Tantsits, Barbara Hannigan, Joshua Bloom, Birmingham Contemporary Music Group, Thomas Adès to be Andante (at a walking pace) because the track has a tempo of 90 BPM, a half-time of 45BPM, and a double-time of 180 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Cello Sonata in G Minor, Op. 19: III. Andante | Sergei Rachmaninoff, Yo-Yo Ma, Emanuel Ax | E♭ Major | 0 | 5B | 85 BPM | ||
The Planets, Op. 32: 3. Mercury, the Winged Messenger | Gustav Holst, Berliner Philharmoniker, Herbert von Karajan | A Major | 1 | 11B | 108 BPM | ||
Royer: Pièces de clavecin, Book 1 (1746): No. 11 Le Vertigo - Rondeau | Joseph-Nicolas-Pancrace Royer, Jean Rondeau | F Minor | 3 | 4A | 129 BPM | ||
Purcell: Trumpet Sonata in D Major, Z. 850: II. Adagio | Henry Purcell, Graham Ashton/Irish Chamber Orchestra/Ian Watson, Ian Watson, Irish Chamber Orchestra | D Major | 3 | 10B | 98 BPM | ||
Allegro barbaro, BB 63 | Béla Bartók, Martin Kasík | B Minor | 2 | 10A | 98 BPM | ||
3 Romanzen, Op. 94: II. Einfach, innig | Robert Schumann, Céline Moinet, Florian Uhlig | A Major | 5 | 11B | 73 BPM | ||
Insanae et vanae curae | Joseph Haydn, Choir of New College, Oxford, New Century Baroque, Edward Higginbottom | D♭ Minor | 1 | 12A | 124 BPM | ||
Toccata In F Major | Jules Grison, Charles-Marie Widor, David M Patrick | F Major | 3 | 7B | 102 BPM | ||
Hebrides Overture "Fingal's Cave" | Felix Mendelssohn, Joseph Kalichstein, Jaime Laredo, Scottish Chamber Orchestra | B Minor | 1 | 10A | 132 BPM | ||
Orawa | Unknown, Wojciech Kilar, Orchestra Sinfonia Varsovia | G Major | 4 | 9B | 97 BPM |