Alfredo Kraus's 'Mi Viejo Amor' came out on July 18, 2014. With this song being around four minutes long, at 3:46, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 16 out of 40 in Canciones y Romanzas by Alfredo Kraus. Based on our statistics, Mi Viejo Amor's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Mi Viejo Amor by Alfredo Kraus is Allegro (fast, quick, and bright), since this song has a tempo of 122 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
El Trust de los Tenorios: "Te Quiero Morena, Te Quiero" | Alfredo Kraus | D Major | 2 | 10B | 104 BPM | ||
La gran via: Introducción y polca de las calles | Ana Maria Iriarte, Ataúlfo Argenta, Coros Cantores De Madrid, José Perera, Orquesta de Cámara de Madrid, Toñy Rosado, Federico Chueca | C Major | 3 | 8B | 121 BPM | ||
Doña Francisquita: Coro de Románticos | Amadeo Vives, Maria Bayo, Orquesta Sinfonica De Tenerife, Antonio Ros Marbà, Coro Polifonico De La Universidad De La Laguna | E♭ Major | 1 | 5B | 101 BPM | ||
Die Fledermaus: Act II: Introduction: Ein Souper heut' uns winkt | Johann Strauss II, Peter Edelmann, Silvana Dussmann, Ute Gfrerer, Marion Rainer, Paul Armin Edelmann, Artur Stefanowicz, Thomas Lind, Waldemar Kmentt, Thaddaus Podgorski, Franz Jirsa, Mörbisch Festival Choir, Morbisch Festival Orchestra, Rudolf Bibl | F Major | 1 | 7B | 94 BPM | ||
A la Orilla de un Palmar | Alfredo Kraus | A Major | 1 | 11B | 76 BPM | ||
Los pescadores de perlas: "Mi par d'udir ancora" | Georges Bizet, Alfredo Kraus, Jose Luis Lloret, Antonio Iges, Orquesta Sinfonica | A Minor | 1 | 8A | 83 BPM | ||
Una furtiva lacrima | Beniamino Gigli | F Minor | 1 | 4A | 78 BPM | ||
Cancion del Gitano - La Linda Tapada | Francisco Alonso, Alfredo Kraus, Manuel Ausensi | D Major | 3 | 10B | 170 BPM | ||
O sole mío | Eduardo di Capua, Alfredo Kraus, Enrique Estela, Orquesta De Camara De Madrid | G Major | 4 | 9B | 87 BPM | ||
Les Contes d'Hoffmann (1989 Digital Remaster), Act III: Entr'acte et Barcarolle: Belle nuit, ô nuit d'amour (Une voix/Giulietta/Choeurs) | Jacques Offenbach, Nicolai Gedda, Elisabeth Schwarzkopf, Victoria de los Ángeles, Gianna D'Angelo, Christiane Gayraud, Robert Geay, Jean-Pierre Laffage, Jean Christophe Benoit, Michel Sénéchal, Ernest Blanc, George London, Nicola Ghiuselev, André Mallabrera, Renée Faure, Jacques Pruvost, André Cluytens, Orchestre De La Société Des Concerts Du Conservatoire | D Major | 1 | 10B | 90 BPM |
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