- BPM
- 134
- Key
- D Minor
- Camelot
- 7A
5 Poèmes de Charles Baudelaire, L. 64: III. Le jet d'eau - Claude Debussy, Gérard Souzay, Dalton Baldwin Information
- Acousticness
- 99%
- Danceability
- 27%
- Energy
- 8%
- Instrumentalness
- 3%
- Liveness
- 8%
- Loudness
- 63%
- Speechiness
- 5%
- Valence
- 4%
- Popularity
- 0%
- Loudness
- -22.224 dB
Summary
"5 Poèmes de Charles Baudelaire, L. 64: III. Le jet d'eau" by Claude Debussy, Gérard Souzay, Dalton Baldwin was released on January 1, 2002. 5 Poèmes de Charles Baudelaire, L. 64: III. Le jet d'eau is about six minutes long, preciously at 6:08, making this song fairly long compared to other songs. The song is number 7 out of 22 in Debussy: Mélodies by Claude Debussy, Gérard Souzay, Dalton Baldwin. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Based on our statistics, 5 Poèmes de Charles Baudelaire, L. 64: III. Le jet d'eau's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
5 Poèmes de Charles Baudelaire, L. 64: III. Le jet d'eau BPM
The tempo marking of 5 Poèmes de Charles Baudelaire, L. 64: III. Le jet d'eau by Claude Debussy, Gérard Souzay, Dalton Baldwin is Allegro (fast, quick, and bright), since this song has a tempo of 134 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
5 Poèmes de Charles Baudelaire, L. 64: III. Le jet d'eau Key
D Minor is the music key of this track. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Etude in D-Sharp Minor, Op. 8, No. 12: Patetico - Remastered | Alexander Scriabin, Vladimir Horowitz | D♭ Minor | 3 | 12A | 72 BPM | |
 | Capriol Suite: 5. Pied-en- l'air | Peter Warlock, Academy of St. Martin in the Fields, Nicholas Kraemer, Sir Neville Marriner | G Major | 1 | 9B | 113 BPM | |
 | Swan Lake (Suite), Op. 20a, TH. 219: I. Scene - Swan Theme | Pyotr Ilyich Tchaikovsky, Berliner Philharmoniker, Mstislav Rostropovich | E Minor | 2 | 9A | 74 BPM | |
 | Ballabile | Blagoje Bersa, Goran Filipec | A Minor | 2 | 8A | 0 BPM | |
 | Scottish Fantasy for Violin and Orchestra, Op. 46: I. Introduction: Grave, Adagio cantabile | Max Bruch, Joshua Bell, Academy of St. Martin in the Fields | E♭ Major | 2 | 5B | 60 BPM | |
 | Elgar: Cello Concerto in E Minor, Op. 85: I. Adagio - Moderato | Edward Elgar, Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli | E Minor | 1 | 9A | 96 BPM | |
 | Mozart: Fantasia for Piano in D Minor, K. 397 | Wolfgang Amadeus Mozart, Cyprien Katsaris | E Minor | 0 | 9A | 80 BPM | |
 | Humoresque, Op. 101, No. 7 | Antonín Dvořák, Kim Dami | F♯ Major | 1 | 2B | 83 BPM | |
 | Nocturne in C Sharp | Frédéric Chopin, Robin Smith, HAUSER, Robert Ziegler, London Symphony Orchestra | F♯ Minor | 3 | 11A | 85 BPM | |
 | Deux Arabesques, CD. 74: I. Andantino con moto | Claude Debussy, Nikolai Lugansky | F♯ Minor | 0 | 11A | 68 BPM |
- ISRC
- DEF056101630
- Label
- L-M Records/RCA Records
Section: 0.6475489139556885
End: 0.6525895595550537