"Bachianas Brasileiras No. 7: Tocata (Desafío): Andantino quasi allegretto" by Michael Tilson Thomas was released on September 30, 1996. Since Bachianas Brasileiras No. 7: Tocata (Desafío): Andantino quasi allegretto is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. This song is part of Villa Lobos/Alma Brasileira by Michael Tilson Thomas. The song's track number on the album is #9 out of 13 tracks. In terms of popularity, Bachianas Brasileiras No. 7: Tocata (Desafío): Andantino quasi allegretto is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Bachianas Brasileiras No. 7: Tocata (Desafío): Andantino quasi allegretto by Michael Tilson Thomas has a tempo of 113 beats per a minute, the tempo markings of this song would be Moderato (at a moderate speed). With Bachianas Brasileiras No. 7: Tocata (Desafío): Andantino quasi allegretto being at 113 BPM, the half-time would be 56 BPM with a double-time of 226 BPM.In addition, we consider the tempo speed to be pretty moderate for this song. The time signature for this track is 4/4.
This song is in the music key of B Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Chopin: Scherzo No. 2 in B-Flat Minor, Op. 31 | Frédéric Chopin, Simon Trpčeski | D♭ Major | 1 | 3B | 131 BPM | ||
Stravinsky: The Rite of Spring: Pt. 1, Adoration of the Earth. Spring Rounds | Igor Stravinsky, San Francisco Symphony, Michael Tilson Thomas | B♭ Minor | 0 | 3A | 141 BPM | ||
Shéhérazade, Op. 35: I. The Sea and Sinbad's Ship | Nikolai Rimsky-Korsakov, Sergej Galaktionov, Gianandrea Noseda, Filarmonica Teatro Regio Torino | E Major | 1 | 12B | 136 BPM | ||
Lohengrin, WWV 75: Prelude To Act III | Richard Wagner, Wiener Philharmoniker, Karl Böhm | G Major | 3 | 9B | 120 BPM | ||
Capriccio espagnol, Op. 34: II. Variations | Nikolai Rimsky-Korsakov, Seattle Symphony Orchestra, Gerard Schwarz | F Major | 0 | 7B | 92 BPM | ||
Korngold: Violin Concerto in D Major, Op. 35: II. Romanze | Erich Wolfgang Korngold, Itzhak Perlman, André Previn, Pittsburgh Symphony Orchestra | C Major | 0 | 8B | 97 BPM | ||
Symphonie Espagnole In D Minor, Op.21: 1. Allegro non troppo | Édouard Lalo, Itzhak Perlman, Orchestre de Paris, Daniel Barenboim | D Minor | 1 | 7A | 75 BPM | ||
Suite in A Major 'American Suite', Op. 98b, B. 190: Suite in A Major 'American Suite', Op. 98b, B. 190: I. Andante con moto | Antonín Dvořák, Luzerner Sinfonieorchester, James Gaffigan | A Major | 0 | 11B | 157 BPM | ||
Romeo et Juliette, Op. 64 (Excerpts): No. 5, La Querelle | Sergei Prokofiev, Michael Tilson Thomas, San Francisco Symphony | C Major | 0 | 8B | 71 BPM | ||
Poulenc: Piano Concerto in C-Sharp Minor, FP 146: II. Andante con moto | Francis Poulenc, James Conlon, Rotterdam Philharmonic Orchestra | E♭ Major | 0 | 5B | 175 BPM |
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