Charles Gounod, Coastal Communities Concert Band, Tom Cole made "Funeral March of a Marionette (Arr. John Glenesk Mortimer)" available on January 1, 2015. The duration of Funeral March of a Marionette (Arr. John Glenesk Mortimer) is about 3 minutes long, at 3:16. Based on our data, "Funeral March of a Marionette (Arr. John Glenesk Mortimer)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 11 in the song's album "Spooky Favorites". In this album, this song's track order is #4. In terms of popularity, Funeral March of a Marionette (Arr. John Glenesk Mortimer) is currently unknown. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Funeral March of a Marionette (Arr. John Glenesk Mortimer) by Charles Gounod, Coastal Communities Concert Band, Tom Cole having a BPM of 111 with a half-time of 56 BPM and a double-time of 222 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
D Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Satie / Orch. Debussy: 3 Gymnopédies: No. 1, Lent et douloureux | Erik Satie, Georges Prêtre, Orchestre National De France | G Major | 0 | 9B | 74 BPM | ||
Kinderszenen, Op. 15: No. 7, Träumerei (Arr. for Violin and Orchestra) | Robert Schumann, Joshua Bell, Michael Stern, Academy of St. Martin in the Fields | F Major | 1 | 7B | 93 BPM | ||
Serse / Act 1, HWV 40: "Ombra mai fu" | George Frideric Handel, Renée Fleming, Orchestra of the Age of Enlightenment, Harry Bicket | E Major | 2 | 12B | 175 BPM | ||
Première Gymnopédie | Erik Satie, Alexandre Tharaud | G Major | 0 | 9B | 76 BPM | ||
Norma, Act I, Scene 1: Air de Norma "Casta Diva" (Arr. for Piano & Viola) | Vincenzo Bellini, Antoine Tamestit, Cédric Tiberghien | F Major | 0 | 7B | 141 BPM | ||
Piano Concerto No. 5 in E-Flat Major, Op. 73 "Emperor": II. Adagio un poco mosso | Ludwig van Beethoven, Leif Ove Andsnes, Mahler Chamber Orchestra | B Major | 0 | 1B | 98 BPM | ||
Myrthen, Op. 25 - Version for Cello and Piano: XXIV. Du bist wie eine Blume | Robert Schumann, Kian Soltani, Aaron Pilsan | F Major | 0 | 7B | 116 BPM | ||
Fauré: Pavane, Op. 50 | Gabriel Fauré, San Francisco Symphony, Michael Tilson Thomas | F♯ Minor | 0 | 11A | 62 BPM | ||
Scottish Fantasy for Violin and Orchestra, Op. 46: III. Andante sostenuto | Max Bruch, Joshua Bell, Academy of St. Martin in the Fields | A♭ Major | 2 | 4B | 93 BPM | ||
Sonata in D Minor, K. 9 | Domenico Scarlatti, Ivo Pogorelich | D Minor | 0 | 7A | 94 BPM |
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