Powder Her Face (an Opera in two acts) Op.14, ACT I, Scene 5: Nineteen fifty-three: Is Daddy squiffy?
Thomas Adès
Adès: Powder Her Face
5:43 1998
BPM
98
Key
A Minor
Camelot
8A

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Powder Her Face (an Opera in two acts) Op.14, ACT I, Scene 5: Nineteen fifty-three: Is Daddy squiffy? - Thomas Adès Information

Acousticness
94%
Danceability
42%
Energy
12%
Instrumentalness
0%
Liveness
50%
Loudness
61%
Speechiness
19%
Valence
14%
Popularity
Loudness
-23.568 dB

Summary

"Powder Her Face (an Opera in two acts) Op.14, ACT I, Scene 5: Nineteen fifty-three: Is Daddy squiffy?" by Thomas Adès was released on 1998. Powder Her Face (an Opera in two acts) Op.14, ACT I, Scene 5: Nineteen fifty-three: Is Daddy squiffy? is about six minutes long, preciously at 5:43, making this song fairly long compared to other songs. The song is number 16 out of 31 in Adès: Powder Her Face by Thomas Adès, Jill Gomez/Thomas Adès. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, Powder Her Face (an Opera in two acts) Op.14, ACT I, Scene 5: Nineteen fifty-three: Is Daddy squiffy? is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.

Powder Her Face (an Opera in two acts) Op.14, ACT I, Scene 5: Nineteen fifty-three: Is Daddy squiffy? BPM

The tempo marking of Powder Her Face (an Opera in two acts) Op.14, ACT I, Scene 5: Nineteen fifty-three: Is Daddy squiffy? by Thomas Adès is Andante (at a walking pace), since this song has a tempo of 98 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.

Powder Her Face (an Opera in two acts) Op.14, ACT I, Scene 5: Nineteen fifty-three: Is Daddy squiffy? Key

This song has a musical key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.

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ISRC
GBCAD0902966
Label
L-M Records/RCA Records

Section: 0.7687780857086182

End: 0.7728481292724609