"Powder Her Face (an Opera in two acts) Op.14, ACT I, Scene 5: Nineteen fifty-three: Is Daddy squiffy?" by Thomas Adès was released on 1998. Powder Her Face (an Opera in two acts) Op.14, ACT I, Scene 5: Nineteen fifty-three: Is Daddy squiffy? is about six minutes long, preciously at 5:43, making this song fairly long compared to other songs. The song is number 16 out of 31 in Adès: Powder Her Face by Thomas Adès, Jill Gomez/Thomas Adès. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, Powder Her Face (an Opera in two acts) Op.14, ACT I, Scene 5: Nineteen fifty-three: Is Daddy squiffy? is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Powder Her Face (an Opera in two acts) Op.14, ACT I, Scene 5: Nineteen fifty-three: Is Daddy squiffy? by Thomas Adès is Andante (at a walking pace), since this song has a tempo of 98 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Three Canons for Ursula: Canon 2/3 | Conlon Nancarrow, Thomas Adès | A Minor | 1 | 8A | 74 BPM | ||
Ellis Island | Meredith Monk, Bruce Brubaker, Ursula Oppens | A Minor | 1 | 8A | 134 BPM | ||
Prelude for Cello & Piano | Ernest John Moeran, Gerald Peregrine, Antony Ingham | E Major | 0 | 12B | 93 BPM | ||
3 Pieces for cello and piano: No. 1. Modere | Nadia Boulanger, Nicolas Altstaedt, José Gallardo | E♭ Minor | 0 | 2A | 87 BPM | ||
Six Encores: Wasserklavier | Luciano Berio, Andrea Lucchesini | D♭ Major | 0 | 3B | 82 BPM | ||
China Gates | John Adams | E♭ Minor | 1 | 2A | 165 BPM | ||
Quiet City | Aaron Copland, Paula Engerer, Scott Moore, Nashville Chamber Orchestra, Paul Gambill | F Major | 0 | 7B | 72 BPM | ||
Violin Concerto, Op. 23, "Concentric Paths": I. Rings | Thomas Adès, Peter Herresthal, The Norwegian Radio Orchestra, Andrew Manze | D Major | 1 | 10B | 98 BPM | ||
Chonguri | Sulkhan Tsintsadze, Thomas Demenga, Thomas Larcher | E Minor | 0 | 9A | 169 BPM | ||
Winterreise, Op. 89, D. 911: No. 15, Die Krähe | Franz Schubert, Ian Bostridge, Thomas Adès | A♭ Major | 0 | 4B | 99 BPM |
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