Inge Rosar made "Kleine Präludien: No.1 in C Major, BWV 924" available on December 9, 2016. With Kleine Präludien: No.1 in C Major, BWV 924 being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The song is number 1 out of 49 in Bach: Kleine Präludien, 15 Inventionen & 15 Sinfonien by Inge Rosar. Going off of the ISRC code of this track, we detected that the origin of this track is from France. In terms of popularity, Kleine Präludien: No.1 in C Major, BWV 924 is currently not that popular. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of Kleine Präludien: No.1 in C Major, BWV 924 by Inge Rosar is Moderato (at a moderate speed), since this song has a tempo of 115 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 5/4.
This song is in the music key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Rondo in D Minor, Wq. 61/4, H. 290 | Carl Philipp Emanuel Bach, Christopher Hinterhuber | B♭ Major | 1 | 6B | 135 BPM | ||
15 Inventionen: No. 7 in E Minor, BWV 778 | Inge Rosar | E Minor | 0 | 9A | 125 BPM | ||
Keyboard Sonata in D Minor, Kk. 1 | Domenico Scarlatti, Ivo Pogorelich | D Minor | 1 | 7A | 107 BPM | ||
Sonata No. 13, Hob. XVI:6: Sonata No. 13, Hob. XVI:6: II. Menuetto | Franz Joseph Haydn, Jean-Efflam Bavouzet | G Major | 1 | 9B | 110 BPM | ||
Andante in F Major, Wq. 116/24, H. 250 | Carl Philipp Emanuel Bach, Ana-Marija Markovina | F Major | 0 | 7B | 118 BPM | ||
15 Inventionen: No. 12 in A Major, BWV 783 | Inge Rosar | B Minor | 1 | 10A | 121 BPM | ||
Suite en ré: la Boiteuse | Jean-Philippe Rameau, Natacha Kudritskaya | E Major | 2 | 12B | 103 BPM | ||
"Concerto comique" No.25 In G Minor "Les sauvages et La Furstemberg": 1. Les Sauvages - Allegro | Michel Corrette, Musica Antiqua Köln, Henk Bouman, Reinhard Goebel | F♯ Minor | 2 | 11A | 90 BPM | ||
Bach, JC: Harpsichord Concerto No. 6 in F Minor, W. C73 (formerly attrib. W. F. Bach): II. Andante | Johann Christian Bach, Jean Rondeau, Sophie Gent, Louis Creac'h, Fanny Paccoud, Antoine Touche, Thomas de Pierrefeu, Evolène Kiener | B Minor | 1 | 10A | 74 BPM | ||
Suite in G minor: IV. Bourree II (Arr. A. Camden) | George Frideric Handel, Anthony Camden, Julia Girdwood, City of London Sinfonia, Nicholas Ward | C Minor | 1 | 5A | 114 BPM |
Section: 0.7408311367034912
End: 0.7461020946502686