Inge Rosar made "15 Inventionen: No. 7 in E Minor, BWV 778" available on December 9, 2016. With 15 Inventionen: No. 7 in E Minor, BWV 778 being less than two minutes long, at 1:37, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 26 out of 49 in Bach: Kleine Präludien, 15 Inventionen & 15 Sinfonien by Inge Rosar. Going off of the ISRC code of this track, we detected that the origin of this track is from France. Based on our statistics, 15 Inventionen: No. 7 in E Minor, BWV 778's popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of 15 Inventionen: No. 7 in E Minor, BWV 778 by Inge Rosar is Allegro (fast, quick, and bright), since this song has a tempo of 125 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Trumpet Concerto in D Major, G. 28: I. Allegro | Giuseppe Torelli, Niklas Eklund, Wasa Baroque Ensemble, Edward H. Tarr | A♭ Major | 2 | 4B | 95 BPM | ||
Symphony in D Major, Op. 2 No. 5 "St. Cecilia's Day Ode": III. Tempo di minuetto | William Boyce, Academy of St. Martin in the Fields, Sir Neville Marriner | D Major | 2 | 10B | 152 BPM | ||
Präludium, H-U 214 | Fanny Mendelssohn, Sontraud Speidel | C Major | 3 | 8B | 165 BPM | ||
Suite in B-Flat Major, HWV 434: II. Sonata - Allegro | George Frideric Handel, Ragna Schirmer | D Minor | 0 | 7A | 176 BPM | ||
Water Music Suite No.1 In F, HWV 348: 1. Ouverture (Grave - Allegro) | George Frideric Handel, Simon Standage, Elizabeth Wilcock, The English Concert, Trevor Pinnock | E Major | 3 | 12B | 123 BPM | ||
Sonata for Violin and Basso Continuo in G Major, TWV 41:G1: III. Adagio | Georg Philipp Telemann, Boris Begelman | E♭ Minor | 1 | 2A | 49 BPM | ||
Suonata II in si bemolle maggiore : Adagio (La tristezza ed il furore del Re) | Lazar Berman | G Minor | 0 | 6A | 135 BPM | ||
Trumpet Sonata in D Major, Z. 850: I. Allegro | Henry Purcell, Ede Inhoff, Hungarian State Opera Chamber Orchestra | E♭ Minor | 0 | 2A | 83 BPM | ||
Du bist die Ruh, Op. 59 No. 3, D. 776 (Arr. X. van Dijk for String Quartet) | Franz Schubert, Signum Quartet | G Major | 0 | 9B | 168 BPM | ||
Symphony in D Major, Op. 3, No. 1, W. C1: III. Presto | Johann Christian Bach, Camerata De Budapest, Hanspeter Gmür | A Major | 2 | 11B | 100 BPM |
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