Pyotr Ilyich Tchaikovsky, Vienna Chamber Orchestra, Philippe Entremont's 'Serenade for Strings in C Major, Op. 48, TH 48: II. Valse' came out on 1992. With this song being around four minutes long, at 3:50, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 11 in the song's album "Tchaikovsky: Sleeping Beauty". In this album, this song's track order is #9. The popularity of Serenade for Strings in C Major, Op. 48, TH 48: II. Valse is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Serenade for Strings in C Major, Op. 48, TH 48: II. Valse by Pyotr Ilyich Tchaikovsky, Vienna Chamber Orchestra, Philippe Entremont having a BPM of 180 with a half-time of 90 BPM and a double-time of 360 BPM, we would consider this track to have a Presto (very, very fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 3/4.
This song has a musical key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Scheherazade, Op. 35: II. Lento - Andantino "The Legend of the Kalendar Prince" | Nikolai Rimsky-Korsakov, New York Philharmonic, Alan Gilbert, Lawrence Rock | G Major | 1 | 9B | 59 BPM | ||
La Bayadere, Act III: 39. "Entrance of the Shades" | Evergreen Symphony Orchestra, Kevin Galiè | D Major | 0 | 10B | 76 BPM | ||
Hungarian Rhapsody No. 2 in C-Sharp Minor, S. 244/2 | Franz Liszt, Vladimir Horowitz | D♭ Major | 3 | 3B | 80 BPM | ||
Peer Gynt Suite No. 1, Op. 46: IV. In the Hall of the Mountain King | Edvard Grieg, Bergen Philharmonic Orchestra, Ole Kristian Ruud | G Major | 1 | 9B | 90 BPM | ||
Violin Concerto in E Minor, Op. 64, MWV O 14: 1. Allegro molto appassionato | Felix Mendelssohn, Kyung Wha Chung, Orchestre Symphonique de Montréal, Charles Dutoit | E Minor | 1 | 9A | 101 BPM | ||
Giselle: No. 21 - Andante | Adolphe Adam, London Symphony Orchestra, Michael Tilson Thomas | E♭ Major | 0 | 5B | 73 BPM | ||
Salut d'Amour, Op. 12 | Edward Elgar, Yo-Yo Ma, Kathryn Stott | D Major | 0 | 10B | 73 BPM | ||
Masquerade Suite: Maskarad (Masquerade): I. Waltz | St. Petersburg State Symphony Orchestra, Aram Khachaturian | C Major | 3 | 8B | 94 BPM | ||
Ständchen in D Minor (After Schubert), S. 560 | Franz Liszt, Lise de la Salle | D Major | 0 | 10B | 76 BPM | ||
Symphonie fantastique, Op. 14, H 48: II. Un Bal | Hector Berlioz, London Symphony Orchestra, Sir Colin Davis | A Major | 1 | 11B | 113 BPM |
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