"Don Giovanni: Atto Primo, Scena 9: "Là ci darem la mano"" by Wolfgang Amadeus Mozart, Johannes Weisser, Sunhae Im, Freiburger Barockorchester, René Jacobs was released on 2007. The duration of Don Giovanni: Atto Primo, Scena 9: "Là ci darem la mano" is about two minutes long, specifically at 2:59. This song does not appear to have any foul language. Don Giovanni: Atto Primo, Scena 9: "Là ci darem la mano"'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Wolfgang Amadeus Mozart, Freiburger Barockorchester, René Jacobs's "Mozart: Don Giovanni" album is number 15 out of 61. Don Giovanni: Atto Primo, Scena 9: "Là ci darem la mano" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Don Giovanni: Atto Primo, Scena 9: "Là ci darem la mano" by Wolfgang Amadeus Mozart, Johannes Weisser, Sunhae Im, Freiburger Barockorchester, René Jacobs to be Adagio (slowly with great expression) because the track has a tempo of 76 BPM, a half-time of 38BPM, and a double-time of 152 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
The music key of this track is E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Concerto For 3 Pianos And Orchestra (No.7) In F, K.242 "Lodron" - Mozart's version for 2 pianos: 3. Rondeau (Tempo di menuetto) | Wolfgang Amadeus Mozart, Lucas Jussen, Arthur Jussen, Academy of St. Martin in the Fields, Sir Neville Marriner | F Major | 2 | 7B | 136 BPM | ||
Concerto for Flute and Harp in C Major, K. 299: II. Andantino | Wolfgang Amadeus Mozart, Jiří Válek, Hana Mullerova, Capella Istropolitana, Richard Edlinger | F Major | 1 | 7B | 111 BPM | ||
Prelude In F Major, BWV 928 : Prelude In F Major, BWV 928 | Janos Sebestyen, Johann Sebastian Bach | F Major | 2 | 7B | 140 BPM | ||
Adagio, Variations and Rondo on Schone Minka, Op. 78: Variation 4 | Johann Nepomuk Hummel, Lise Daoust, Elizabeth Dolin, Carmen Picard | A Major | 1 | 11B | 128 BPM | ||
Gavotte (Paride ed Elena) | Christoph Willibald Gluck, Johannes Brahms, Matti Raekallio | A Major | 0 | 11B | 98 BPM | ||
Concerto For 2 Keyboards In C Minor, BWV 1062: II. Andante E Piano | Cologne Chamber Orchestra, Michael Behringer, Robert Hill, Johann Sebastian Bach | E♭ Major | 1 | 5B | 103 BPM | ||
Ouverture in D Major, "Darmstadt": Harlequinade | Georg Philipp Telemann, Cologne Chamber Orchestra, Helmut Muller-Bruhl | D♭ Major | 1 | 3B | 174 BPM | ||
24 Preludes, Op. 28: Prelude No. 9 in E Major, Op. 28, No. 9 | Frédéric Chopin, Idil Biret | E Major | 0 | 12B | 78 BPM | ||
3 Romances, Op. 11: 1. Andante | Clara Schumann, Isata Kanneh-Mason | E♭ Minor | 0 | 2A | 127 BPM | ||
Symphony No. 40 in G Minor, K. 550: I. Molto allegro (Arr. J.N. Hummel for flute, violin, cello and piano) | Wolfgang Amadeus Mozart, Fumiko Shiraga, Henrik Wiese, Peter Clemente, Tibor Benyi | G Minor | 1 | 6A | 114 BPM |
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