Traditional, Victoria de los Ángeles, Ars Musicae De Barcelona, Enrique Gispert's ' "Traditional: Estávase la mora" was released on its scheduled release date, October 6, 2023. With This song being less than two minutes long, at 1:32, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 21 in the song's album "Songs of Andalusia. Music from the Middle Ages and Renaissance". In this album, this song's track order is #3. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, Traditional: Estávase la mora is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Traditional: Estávase la mora by Traditional, Victoria de los Ángeles, Ars Musicae De Barcelona, Enrique Gispert having a BPM of 107 with a half-time of 54 BPM and a double-time of 214 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 5/4.
This song has a musical key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Nine sili nebesniye | Alexander Sheremetiev, Chorovaya Akademia | D♭ Minor | 0 | 12A | 125 BPM | ||
The Legend of the 12 Robbers | St. Petersburg Optina Pustyn Male Choir | B♭ Major | 2 | 6B | 70 BPM | ||
Alleluia, Behold the Bridegroom | St.Petersburg Chamber Choir | G Minor | 2 | 6A | 82 BPM | ||
Ave verum corpus, K. 618 | Wolfgang Amadeus Mozart, Munich Motet Choir, Munich Residence Orchestra, Hans Rudolf Zöbeley | D Major | 0 | 10B | 83 BPM | ||
Ave Maria Guarani | Ennio Morricone | B Major | 2 | 1B | 60 BPM | ||
Final Angelus Bells | Monks Of The Abbey Of Notre Dame | D Minor | 1 | 7A | 76 BPM | ||
Les 50 kyrie eleison de la Litie, chant grec | Unknown, Choeur Du Monastère SainteÉlisabeth De Minsk | A Minor | 2 | 8A | 70 BPM | ||
Tenebrae Responsories, Feria quinta: II. Tristis est anima mea | Carlo Gesualdo, Philippe Herreweghe, Collegium Vocale Gent | D Minor | 1 | 7A | 171 BPM | ||
Izhe Kheruvimi (Cherubic Hymn): No. 7. — | Dmitry Bortniansky, Ensemble Cherubim, Marika Kuzma | D Major | 0 | 10B | 57 BPM | ||
Fervent Supplication | The Russian State Symphony Cappella | C Major | 2 | 8B | 134 BPM |