- BPM
- 134
- Key
- A Major
- Camelot
- 11B
Die Zauberflöte: Act 2 - Seid Uns Zum Zweiten Mal Willkommen - Elisabeth Grümmer, Erika Köth, Sir Georg Solti Information
- Acousticness
- 96%
- Danceability
- 48%
- Energy
- 7%
- Instrumentalness
- 0%
- Liveness
- 18%
- Loudness
- 66%
- Speechiness
- 4%
- Valence
- 36%
- Popularity
- 0%
- Loudness
- -20.24 dB
Summary
Elisabeth Grümmer, Erika Köth, Sir Georg Solti's 'Die Zauberflöte: Act 2 - Seid Uns Zum Zweiten Mal Willkommen' came out on March 25, 2009. With Die Zauberflöte: Act 2 - Seid Uns Zum Zweiten Mal Willkommen being less than two minutes long, at 1:37, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of Wolfgang Amadeus Mozart: Die Zauberflöte by Elisabeth Grümmer. The song's track number on the album is #12 out of 48 tracks. Based on our data, France was the country where this track was produced or recorded. Based on our statistics, Die Zauberflöte: Act 2 - Seid Uns Zum Zweiten Mal Willkommen's popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Die Zauberflöte: Act 2 - Seid Uns Zum Zweiten Mal Willkommen BPM
Since Die Zauberflöte: Act 2 - Seid Uns Zum Zweiten Mal Willkommen by Elisabeth Grümmer, Erika Köth, Sir Georg Solti has a tempo of 134 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Die Zauberflöte: Act 2 - Seid Uns Zum Zweiten Mal Willkommen being at 134 BPM, the half-time would be 67 BPM with a double-time of 268 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 3/4.
Die Zauberflöte: Act 2 - Seid Uns Zum Zweiten Mal Willkommen Key
A Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Humperdinck: Hänsel und Gretel, Act I, Scene 1: "Suse, liebe Suse, was raschelt im Stroh?" (Gretel, Hänsel) | Engelbert Humperdinck, Herbert von Karajan, Elisabeth Grümmer, Elisabeth Schwarzkopf, Philharmonia Orchestra | F Major | 1 | 7B | 93 BPM | |
 | Mass in C Major, Op. 86: Gloria: Qui tollis peccata mundi | Ludwig van Beethoven, Katherine van Kampen, Ingeborg Danz, Keith Lewis, Michel Brodard, Gächinger Kantorei Stuttgart, Bach-Collegium Stuttgart, Helmuth Rilling | C Major | 0 | 8B | 136 BPM | |
 | Variations on a Theme by Haydn, Op.56: Orchestra Setting, Op.56a: 4. Variation 3. Con moto | Wilhelm Furtwängler | B♭ Major | 1 | 6B | 115 BPM | |
 | Les Contes d'Hoffmann / Act 1: "Drig, drig, drig, maître Luther" | Jacques Offenbach, Robin Leggate, Urban Malmberg, Kurt Rydl, Choeurs de Radio France, Jacques Jouineau, Orchestre National De France, Seiji Ozawa | C Major | 4 | 8B | 138 BPM | |
 | La traviata / Act I: "Si ridesta in ciel l'aurora" | Giuseppe Verdi, Stefania Malagu, Walter Gullino, Bruno Grella, Giovanni Foiani, Alfredo Giacomotti, Chor der Bayerischen Staatsoper München, Bavarian State Orchestra, Carlos Kleiber | A♭ Major | 4 | 4B | 91 BPM | |
 | Der Freischütz, J. 277 / Act 1: "Viktoria! Viktoria! ..." - Bauern-Marsch - "Schau der Herr mich an als König!" | Carl Maria von Weber, Hans Jörn Weber, Gunther Leib, Staatskapelle Dresden, Carlos Kleiber, MDR Leipzig Radio Chorus | G Major | 3 | 9B | 107 BPM | |
 | Der Freischutz, J. 277: Act III: Cavatina: Und ob die Wolke sie verhulle (Agathe) | Carl Maria von Weber, Alfred Poell, Heiner Horn, Elisabeth Grümmer, Rita Streich, Max Proebstl, Hans Hopf, Richard Munch, Kurt Böhme, Kurt Marschner, Cologne Radio Chorus, Cologne Radio Symphony Orchestra, Erich Kleiber | E♭ Major | 2 | 5B | 99 BPM | |
 | Thaïs / Acte Un: Voici le pain | Jules Massenet, Olivier Schock, Bernard Mansencal, Bruno Moga, Loïc Cassin, José Luis Victoria, Stefano Palatchi, Orchestre National Bordeaux Aquitaine, Yves Abel | D Major | 2 | 10B | 94 BPM | |
 | Weber: Der Freischütz, Op. 77, J. 277, Act 1 Scene 5: No. 4, Lied, "Hier im ird'schen Jammertal" (Kaspar, Max) | Carl Maria von Weber, Elisabeth Grümmer, Berliner Philharmoniker, Joseph Keilberth | E Minor | 0 | 9A | 89 BPM | |
 | Mathis Der Maler, 6th Tableau, Scene 1: Der liebste Vater, eer verstand mich (Regina/Mathis) | Paul Hindemith, Rafael Kubelik, Bayerischer Rundfunk, Bavarian Radio Symphony Orchestra | G Minor | 0 | 6A | 87 BPM |
- ISRC
- FR6V80528237
- Label
- L-M Records/RCA Records
Section: 1.0642731189727783
End: 1.073096513748169