"Cello Sonata in D Major, Op. 17: I. Allegro molto" by Luise Adolpha Le Beau, Connie Shih, Steven Isserlis was released on November 4, 2022. With this song being about 5 minutes long, at 5:26, "Cello Sonata in D Major, Op. 17: I. Allegro molto" by Luise Adolpha Le Beau, Connie Shih, Steven Isserlis is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 9 out of 13 in A Golden Cello Decade, 1878-1888: Dvořák, R. Strauss, Bruch, Le Beau by Steven Isserlis, Connie Shih. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Cello Sonata in D Major, Op. 17: I. Allegro molto is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Cello Sonata in D Major, Op. 17: I. Allegro molto by Luise Adolpha Le Beau, Connie Shih, Steven Isserlis is Andante (at a walking pace), since this song has a tempo of 79 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Schwanengesang, S. 560: Schubert - Schwanengesang, S. 560/R. 245: No. 7, Standchen (Leise flehen meine Lieder) [After F. Schubert] | Franz Liszt, Oxana Yablonskaya | D Major | 0 | 10B | 66 BPM | ||
Nacht und Träume, Op. 43 No. 2, D. 827 | Franz Schubert, Harriet Krijgh, Magda Amara | E Major | 1 | 12B | 80 BPM | ||
Naive Music: No. 2. Nocturne | Valentin Silvestrov, Elisaveta Blumina | B♭ Major | 0 | 6B | 68 BPM | ||
Pavane, Op. 50 (Version for Piano) | Gabriel Fauré, Lang Lang | A Minor | 1 | 8A | 126 BPM | ||
Liszt: 6 Consolations, S. 172: V. Andantino | Franz Liszt, Mariam Batsashvili | E Major | 0 | 12B | 166 BPM | ||
4 Romantic Pieces, Op. 75, B. 150 (Arr. for Cello & Piano): No. 1. Allegro moderato | Anonymous, Antonín Dvořák, Daniel Müller-Schott, Robert Kulek | B♭ Major | 0 | 6B | 127 BPM | ||
Douce rêverie in G Minor | Tekla Bądarzewska-Baranowska, Hiroko Ishimoto | G Minor | 1 | 6A | 131 BPM | ||
La Petite Pince-Sans-Rire: 21ème ordre, 4ème livre | François Couperin, Iddo Bar-Shaï | E Minor | 0 | 9A | 76 BPM | ||
Carnaval, Op. 9: XII. Chopin | Robert Schumann, Daniil Trifonov | E Major | 0 | 12B | 68 BPM | ||
Jocelyn, Op. 100: Berceuse (Arr. for Piano 4 Hands) | Benjamin Godard, Zeynep Ucbasaran, Sergio Gallo | F Major | 0 | 7B | 134 BPM |
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