Melbourne Symphony Orchestra, Bruce Smeaton's 'Patrol Boat Theme' came out on September 19, 2014. With this song being around four minutes long, at 3:31, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 9 out of 54 in Classic ABC TV and Radio Themes from the 1940s to the 2000s by Various Artists. In terms of popularity, Patrol Boat Theme is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Patrol Boat Theme by Melbourne Symphony Orchestra, Bruce Smeaton is Andante (at a walking pace), since this song has a tempo of 107 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Peer Gynt, Op.23 - Incidental Music: No.8. In the Hall of the Mountain King | Edvard Grieg, Margaret Lisi, San Francisco Symphony Chorus, Kaare Myksvoll, Maria Meyer, Kristina Rapp, Gregory Nybo, David Hess, San Francisco Symphony, Herbert Blomstedt | G Major | 1 | 9B | 116 BPM | ||
Skye Boat Song (Arr. Laura Bishop) | Sally Maer, Melbourne Symphony Orchestra, Benjamin Northey | B♭ Major | 3 | 6B | 103 BPM | ||
The Hall of The Mountain King | Armonie Symphony Orchestra | B Minor | 0 | 10A | 101 BPM | ||
Sir John in Love: Fantasia on Greensleeves | Ralph Vaughan Williams, Leonard Bernstein, New York Philharmonic | C Minor | 1 | 5A | 105 BPM | ||
A Wise Old Fish | Nigel Westlake, Melbourne Symphony Orchestra, Benjamin Northey | F Major | 2 | 7B | 87 BPM | ||
Renaissance Concerto: III. Recitative (After Monteverdi) | Lukas Foss, Amy Porter, Buffalo Philharmonic Orchestra, Joann Falletta | A Minor | 1 | 8A | 147 BPM | ||
Overture to The Barber of Seville | Gioachino Rossini, Riccardo Chailly, Orchestra Del Teatro Alla Scala, Milano | E Major | 2 | 12B | 94 BPM | ||
A Flock Descends Into The Pentagonal Garden | Toru Takemitsu, Hiroyuki Iwaki, Melbourne Symphony Orchestra | E Minor | 1 | 9A | 88 BPM | ||
Aida / Act 2: Marcia | Giuseppe Verdi, Orchestra Del Teatro Dell'Opera Di Roma, Sir Georg Solti | F Minor | 3 | 4A | 148 BPM | ||
Orchestral Suite No. 3 in D Major, BWV 1068: II. Air (On the G-String) | Johann Sebastian Bach, Vladimir Spivakov, Moscow Virtuosi | B Minor | 0 | 10A | 125 BPM |
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