- BPM
- 125
- Key
- B Minor
- Camelot
- 10A
Orchestral Suite No. 3 in D Major, BWV 1068: II. Air (On the G-String) - Johann Sebastian Bach, Vladimir Spivakov, Moscow Virtuosi Information
- Acousticness
- 37%
- Danceability
- 17%
- Energy
- 4%
- Instrumentalness
- 78%
- Liveness
- 8%
- Loudness
- 72%
- Speechiness
- 4%
- Valence
- 4%
- Popularity
- 4%
- Loudness
- -16.7 dB
Summary
"Orchestral Suite No. 3 in D Major, BWV 1068: II. Air (On the G-String)" by Johann Sebastian Bach, Vladimir Spivakov, Moscow Virtuosi was released on October 2, 1992. Orchestral Suite No. 3 in D Major, BWV 1068: II. Air (On the G-String) is about six minutes long, preciously at 5:40, making this song fairly long compared to other songs. The track order of this song in Johann Sebastian Bach, Vladimir Spivakov's "Johann Sebastian Bach Orchestral Suites" album is number 2 out of 24. On top of that, United States appears to be the country where this track was created. Based on our statistics, Orchestral Suite No. 3 in D Major, BWV 1068: II. Air (On the G-String)'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Orchestral Suite No. 3 in D Major, BWV 1068: II. Air (On the G-String) BPM
We consider the tempo marking of Orchestral Suite No. 3 in D Major, BWV 1068: II. Air (On the G-String) by Johann Sebastian Bach, Vladimir Spivakov, Moscow Virtuosi to be Allegro (fast, quick, and bright) because the track has a tempo of 125 BPM, a half-time of 62BPM, and a double-time of 250 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
Orchestral Suite No. 3 in D Major, BWV 1068: II. Air (On the G-String) Key
This song is in the music key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Solveig's Song | Le grand orchestre classique, Charles Gerhardt, London Promenade Orchestra | A Minor | 1 | 8A | 74 BPM | |
 | Nocturne No. 1 in E Flat Major, H.24 | John Field, Elizabeth Joy Roe | E♭ Major | 0 | 5B | 75 BPM | |
 | Sinfonia in E major, RV 132: II. Andante | Karoly Botvay | A Major | 0 | 11B | 79 BPM | |
 | Clarinet Concerto K 622 - II. Adagio | The Jane Austen Era | D Major | 0 | 10B | 90 BPM | |
 | Sonata for Solo Violin No. 3 in C Major, BWV 1005: IV. Allegro assai | Johann Sebastian Bach, Park Kyuhee | D Minor | 0 | 7A | 77 BPM | |
 | Valse triste, Op. 44 | Jean Sibelius, Gothenburg Symphony Orchestra, Neeme Järvi | D♭ Major | 0 | 3B | 67 BPM | |
 | Piano Concerto in A Minor, Op. 16: II. Adagio | Edvard Grieg, Libor Pešek, Slovac Philharmony | E♭ Major | 0 | 5B | 81 BPM | |
 | La Traviata: Prelude to Act I | Bonn Classical Philharmonic | B Major | 0 | 1B | 120 BPM | |
 | St. Matthew Passion, BWV 244: Pt. II: Aria. Erbarme dich, mien Gott (Alto) | Johann Sebastian Bach, Christoph Prégardien, Klaus Mertens, Monika Frimmer, Veronika Winter, Lena Susanne Norin, Wilfried Jochens, Hans-Georg Wimmer, Rheinische Kantorei, Kleine Konzert, Das, Hermann Max | D♭ Major | 1 | 3B | 111 BPM | |
 | Canon and Gigue in D Major, P. 37 | Johann Pachelbel, Academy of Ancient Music, Christopher Hogwood | A Major | 1 | 11B | 79 BPM |
- ISRC
- USBC19704248
- Label
- L-M Records/RCA Records
Section: 0.6828794479370117
End: 0.6873722076416016