"Bonnie Wee Thing" by Liza Lehmann, John McCormack, Studio Orchestra was released on September 1, 2007. The duration of Bonnie Wee Thing is about 3 minutes long, at 3:03. Based on our data, "Bonnie Wee Thing" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in John McCormack, Walter B. Rogers's "Mccormack, John: Mccormack Edition, Vol. 5: The Acoustic Recordings (1914-1915)" album is number 6 out of 26. On top of that, Hong Kong appears to be the country where this track was created. Bonnie Wee Thing is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Bonnie Wee Thing by Liza Lehmann, John McCormack, Studio Orchestra to be Adagio (slowly with great expression) because the track has a tempo of 68 BPM, a half-time of 34BPM, and a double-time of 136 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La Traviata, Act III - Preludio, scena e aria: Or Fate Core | Giuseppe Verdi, Teodor Currentzis | G Major | 1 | 9B | 82 BPM | ||
Études Latines: "Tyndaris" | Reynaldo Hahn, Susan Graham | A♭ Major | 0 | 4B | 106 BPM | ||
Quella fiamma che m'accende | Benedetto Marcello, Cecilia Bartoli, György Fischer | G Minor | 1 | 6A | 132 BPM | ||
Pieśni, Op.1: V. Pamiętam ciche, jasne, złote dnie | Mieczysław Karłowicz, Piotr Beczala, Helmut Deutsch | B Minor | 0 | 10A | 77 BPM | ||
Torna a Surriento (Transcr. for Tenor, Piano and Harp) | Ernesto de Curtis, Jonathan Tetelman, Sophia Muñoz, Marion Ravot | E Major | 2 | 12B | 95 BPM | ||
6 Lieder, Op. 31: No. 1. Es muss was Wunderbares sein | Franz Ries, Oskar von Redwitz, Äneas Humm, Judit Polgar | E♭ Major | 0 | 5B | 82 BPM | ||
Nonsense Songs, ILL 10: III. You are old, Father William | Liza Lehmann, The Sometimes Singers | C Minor | 2 | 5A | 172 BPM | ||
Puccini: Il tabarro: Introduzione (Orchestra) | Giacomo Puccini, Antonio Pappano, London Symphony Orchestra | A Minor | 0 | 8A | 69 BPM | ||
Satie: Je te veux | Erik Satie, Aldo Ciccolini, Mady Mesple | G Minor | 0 | 6A | 170 BPM | ||
Magnificat in C | Charles Villiers Stanford, The King's Consort, Robert King | E♭ Minor | 2 | 2A | 121 BPM |
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