John Peacock, Les Musiciens De Saint-Julien, François Lazarevitch made "Cuckold Come Out the Amery" available on March 1, 2016. With this song being around four minutes long, at 4:14, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 18 in the song's album "The High Road to Kilkenny: Gaelic Songs and Dances of the 17th & 18th Centuries". In this album, this song's track order is #4. Based on our statistics, Cuckold Come Out the Amery's popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Cuckold Come Out the Amery by John Peacock, Les Musiciens De Saint-Julien, François Lazarevitch having a BPM of 128 with a half-time of 64 BPM and a double-time of 256 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of B Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The English Dance Master, Part II: Newcastle | John Playford, Baltimore Consort | G Major | 2 | 9B | 108 BPM | ||
Sir John in Love: Fantasia on Greensleeves | Ralph Vaughan Williams, Leonard Bernstein, New York Philharmonic | C Minor | 1 | 5A | 105 BPM | ||
Recercada primera, quarta, ottava | Diego Oritz, Margaret Little, Sylvain Bergeron | A♭ Major | 1 | 4B | 81 BPM | ||
The King of Denmark, his Galliard (P 40) | John Dowland, Paul O'Dette | C Minor | 1 | 5A | 110 BPM | ||
The Earle of Essex Galiard | John Dowland, Flanders Recorder Quartet | E♭ Minor | 0 | 2A | 64 BPM | ||
Gaillardes | Michael Praetorius, Les Musiciens De Saint-Julien, François Lazarevitch | G Minor | 2 | 6A | 163 BPM | ||
Vivaldi, De Courson & Le Berre: Jig della inquietudine (After Vivaldi's Violin Concerto, RV 234 "L'inquietudine") | Antonio Vivaldi, Le Orfanelle Della Pieta, Nollaig Casey, Emer Mayock, Robert Harris, Dónal Siggins, Ronan Le Bars | D Major | 7 | 10B | 179 BPM | ||
String Quintet in C Major, Op. 30, No. 6, G. 324, "La musica notturna delle strade di Madrid": IV. Allegro vivo, "Los Manolos" | Luigi Boccherini, Mayumi Seiler, Silvia Walch, Diemut Poppen, Richard Lester, Howard Penny | G Major | 1 | 9B | 191 BPM | ||
Basse danse la Magdalena | Pierre Attaingnant, Ulsamer Collegium, Josef Ulsamer | D Minor | 0 | 7A | 83 BPM | ||
Orchestral Suite No. 2 in B Minor, BWV 1067: 7. Badinerie (Performed on Recorder) | Johann Sebastian Bach, Lucie Horsch, Academy of Ancient Music, Bojan Čičić | A♭ Minor | 6 | 1A | 123 BPM |
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