"W.A. Mozart: Ah, Io previdi! - Ah, t'invola - Deh, non varcar, KV 272/Rezitativ, Arie und Cavatine/Deh, non varcar" by Herbert Blomstedt, Edda Moser, Staatskapelle Dresden was released on 1981. With this song being about 5 minutes long, at 5:01, "W.A. Mozart: Ah, Io previdi! - Ah, t'invola - Deh, non varcar, KV 272/Rezitativ, Arie und Cavatine/Deh, non varcar" by Herbert Blomstedt, Edda Moser, Staatskapelle Dresden is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. This song is part of Wolfgang Amadeus Mozart: Konzertarien/Concert Arias by Herbert Blomstedt. The song's track number on the album is #8 out of 8 tracks. W.A. Mozart: Ah, Io previdi! - Ah, t'invola - Deh, non varcar, KV 272/Rezitativ, Arie und Cavatine/Deh, non varcar is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since W.A. Mozart: Ah, Io previdi! - Ah, t'invola - Deh, non varcar, KV 272/Rezitativ, Arie und Cavatine/Deh, non varcar by Herbert Blomstedt, Edda Moser, Staatskapelle Dresden has a tempo of 75 beats per a minute, the tempo markings of this song would be Adagio (slowly with great expression). With W.A. Mozart: Ah, Io previdi! - Ah, t'invola - Deh, non varcar, KV 272/Rezitativ, Arie und Cavatine/Deh, non varcar being at 75 BPM, the half-time would be 38 BPM with a double-time of 150 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Eine Alpensinfonie, Op. 64, TrV 233: 11. Auf dem Gletscher | Richard Strauss, San Francisco Symphony, Herbert Blomstedt | A Minor | 5 | 8A | 97 BPM | ||
Five pieces for Two Violins and Piano: I. Prelude- Moderato | Dmitri Shostakovich, Brodsky Quartet, Christian Blackshaw | B Minor | 0 | 10A | 82 BPM | ||
Violin Concerto, Op. 14: II. Andante | Samuel Barber, Hilary Hahn, Hugh Wolff, Saint Paul Chamber Orchestra | E Major | 1 | 12B | 100 BPM | ||
Symphony No.1 in E minor, Op.39: 2. Andante (ma non troppo lento) | Jean Sibelius, San Francisco Symphony, Herbert Blomstedt | C Major | 1 | 8B | 82 BPM | ||
L'Arlésienne Suite No.1: Minuetto | Georges Bizet, Daniel Deffayet, Berliner Philharmoniker, Herbert von Karajan | A♭ Major | 0 | 4B | 175 BPM | ||
Petite suite: I. En bateau (arr. H. Busser for orchestra): III. Menuet | Claude Debussy, Henri Büsser, Orchestre National De Lyon, Jun Markl | G Major | 0 | 9B | 133 BPM | ||
Carmen Fantasy, Op. 25: IV. Moderato | Pablo de Sarasate, Hilary Hahn, Frankfurt Radio Symphony Orchestra, Andrés Orozco-Estrada | F Minor | 2 | 4A | 84 BPM | ||
Symphony No.3 In C Minor, Op.78 "Organ Symphony": 2. Allegro moderato - Presto - Allegro moderato - Maestoso - Più allegro - Molto allegro | Camille Saint-Saëns, Simon Preston, Berliner Philharmoniker, James Levine | F Minor | 2 | 4A | 117 BPM | ||
Haydn: Symphony No. 94 in G Major, Hob. I:94 "Surprise": III. Menuetto. Allegro molto - Trio | Franz Joseph Haydn, André Previn, Pittsburgh Symphony Orchestra | G Major | 1 | 9B | 142 BPM | ||
Piano Concerto No. 1 in E-Flat Major, S. 124: I. Allegro maestoso | Franz Liszt, Arthur Rubinstein, Alfred Wallenstein, RCA Victor Symphony Orchestra | A♭ Major | 1 | 4B | 92 BPM |
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