Gershwin: Porgy and Bess, Act 1: "Summertime" (Clara, Girls of Chorus) - George Gershwin, Glyndebourne Chorus, Sir Simon Rattle, London Philharmonic Orchestra Information

Acousticness: 97%
Danceability: 26%
Energy: 5%
Instrumentalness: 7%
Liveness: 55%
Loudness: 51%
Speechiness: 5%
Valence: 3%
Popularity: 33%
Loudness: -29.432 dB

Summary

"Gershwin: Porgy and Bess, Act 1: "Summertime" (Clara, Girls of Chorus)" by George Gershwin, Glyndebourne Chorus, Sir Simon Rattle, London Philharmonic Orchestra was released on 1989. The duration of Gershwin: Porgy and Bess, Act 1: "Summertime" (Clara, Girls of Chorus) is about 3 minutes long, at 3:28. Based on our data, "Gershwin: Porgy and Bess, Act 1: "Summertime" (Clara, Girls of Chorus)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in George Gershwin, Sir Simon Rattle, London Philharmonic Orchestra's "Gershwin: Porgy & Bess" album is number 2 out of 53. In terms of popularity, Gershwin: Porgy and Bess, Act 1: "Summertime" (Clara, Girls of Chorus) is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Gershwin: Porgy and Bess, Act 1: "Summertime" (Clara, Girls of Chorus) BPM

We consider the tempo marking of Gershwin: Porgy and Bess, Act 1: "Summertime" (Clara, Girls of Chorus) by George Gershwin, Glyndebourne Chorus, Sir Simon Rattle, London Philharmonic Orchestra to be Andante (at a walking pace) because the track has a tempo of 90 BPM, a half-time of 45BPM, and a double-time of 180 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.

Gershwin: Porgy and Bess, Act 1: "Summertime" (Clara, Girls of Chorus) Key

This song is in the music key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Mahler: Symphony No. 2 in C Minor "Resurrection": V. (d) Wieder zurückhaltend	Gustav Mahler, Sir Simon Rattle, Berliner Philharmoniker	F♯ Major	0	2B	144 BPM
Brahms: Symphony No. 3 in F Major, Op. 90: II. Andante	Johannes Brahms, Berliner Philharmoniker, Sir Simon Rattle	C Major	0	8B	60 BPM
Britten: Serenade, Op. 31: VI. Hymn	Benjamin Britten, Ian Bostridge, Sir Simon Rattle, Berliner Philharmoniker	G Minor	2	6A	157 BPM
Stravinsky: The Rite of Spring, Pt. 1 "Adoration of the Eath": Introduction	Igor Stravinsky, Berliner Philharmoniker, Sir Simon Rattle	D Major	0	10B	92 BPM
Mahler: Symphony No. 2 in C Minor "Resurrection": V. (g) Mit Aufschwung aber nicht eilen. "O Schmerz !"	Gustav Mahler, Sir Simon Rattle, Kate Royal, Magdalena Kozená, Rundfunkchor Berlin, Berliner Philharmoniker	E♭ Major	4	5B	80 BPM
Porgy and Bess / Act 1: "Summertime"	George Gershwin, Barbara Hendricks, James Vincent Pickens, Francois Clemmons, Arthur Thompson, Florence Quivar, Samuel Hagan, Christopher Deane, The Cleveland Orchestra Chorus, Cleveland Orchestra, Lorin Maazel	B Minor	2	10A	83 BPM
Orff: Carmina Burana, Pt. 2, In Taberna: Olim lacus colueram	Carl Orff, Sir Simon Rattle/Berliner Philharmoniker/Sally Matthews/Christian Gerhaher/Lawrence Brownlee/Knaben des Staats- und Domchors Berlin/Simon Halsey/Rundfunkchor Berlin, Lawrence Brownlee, Rundfunkchor Berlin, Sir Simon Rattle, Berliner Philharmoniker	E Minor	2	9A	99 BPM
Les pêcheurs de perles, WD 13 / Act 1: Je crois entendre encore	Georges Bizet, Roberto Alagna, Bertrand de Billy, Orchestra of the Royal Opera House, Covent Garden	A Minor	1	8A	80 BPM
Dvorák: Rusalka, Op. 114, Act 1: Song to the Moon	Antonín Dvořák, Lucia Popp, Stefan Soltesz, Das Münchner Rundfunkorchester	F♯ Major	1	2B	81 BPM
Valse triste, Op. 44, No. 1 (From "Kuolema")	Jean Sibelius, Swedish Radio Symphony Orchestra, Esa-Pekka Salonen	D♭ Major	1	3B	60 BPM

ISRC: This song does not have an ISRC.
Label: L-M Records/RCA Records

Section: 0.6786015033721924

End: 0.6829452514648438