"Les Pêcheurs de perles, WD 13: Prelude" by Georges Bizet, Alexandre Bloch, Orchestre National de Lille was released on May 1, 2018. The duration of Les Pêcheurs de perles, WD 13: Prelude is about two minutes long, specifically at 2:11. This song does not appear to have any foul language. Les Pêcheurs de perles, WD 13: Prelude's duration is considered a little bit shorter than the average duration of a typical track. The song is number 1 out of 26 in Bizet: Les Pechêurs de perles by Georges Bizet, Alexandre Bloch, Orchestre National de Lille, Cyrille Dubois, Julie Fuchs. Going off of the ISRC code of this track, we detected that the origin of this track is from Netherlands. In terms of popularity, Les Pêcheurs de perles, WD 13: Prelude is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Les Pêcheurs de perles, WD 13: Prelude by Georges Bizet, Alexandre Bloch, Orchestre National de Lille is Andante (at a walking pace), since this song has a tempo of 95 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Bizet: Carmen, WD 31, Act I: "L'amour est un oiseau rebelle" (Carmen, Chorus) | Georges Bizet, Marianne Crebassa, Choeur Du Capitole De Toulouse, Ben Glassberg, Orchestre National Du Capitole De Toulouse | D Major | 1 | 10B | 108 BPM | ||
Saint-Saëns: Samson et Dalila, Op. 47, Act II, Scene 3: Air. "Mon cœur s'ouvre à ta voix" (Dalila, Samson) | Camille Saint-Saëns, Sir Colin Davis, Olga Borodina, José Cura, London Symphony Orchestra | D♭ Major | 1 | 3B | 129 BPM | ||
Bach, JS / Arr. Paillard: Erbarm dich mein, o Herre Gott, BWV 721 | Johann Sebastian Bach, Jean-François Paillard, Orchestre de chambre Jean-François Paillard | B Minor | 0 | 10A | 75 BPM | ||
Wagner: Lohengrin, WWV 75, Act 3 Scene 1: Prelude (Sehr lebhaft) | Richard Wagner, Vienna State Opera Chorus, Rudolf Kempe, Wiener Philharmoniker | G Major | 3 | 9B | 80 BPM | ||
Khovanshchina: Overture (Prelude) | Modest Mussorgsky, Mariinsky Orchestra, Valery Gergiev | D♭ Major | 0 | 3B | 90 BPM | ||
Piano Concerto in A Minor, Op. 16: II. Adagio | Edvard Grieg, Denis Kozhukhin, Rundfunk-Sinfonieorchester Berlin, Vassily Sinaisky | D♭ Major | 0 | 3B | 89 BPM | ||
Auf dem Wasser zu singen, Op. 72, D.774 | Franz Schubert, Daniel Hope, Sebastian Knauer | A♭ Minor | 0 | 1A | 73 BPM | ||
L'Arlesienne Suite No. 2 (arr. E. Guirand for orchestra): L'arlesienne, Suite No. 2: II. Intermezzo | Ernest Guiraud, Georges Bizet, Budapest Philharmonic Orchestra, Ádám Medveczky | E♭ Major | 0 | 5B | 68 BPM | ||
Werther / Act III: "Pourquoi me réveiller" (Adapt. for Cello and Orchestra) | Jules Massenet, Camille Thomas, Brussels Philharmonic, Mathieu Herzog | F♯ Minor | 1 | 11A | 87 BPM | ||
Carmen, Act IV, No.26 Marche et Choeur: Si tu m'aimes, Carmen (Escamillo/Carmen/Alguazils) | Georges Bizet, Thomas Hampson, Michel Plasson, Wolff, Orchestre National Du Capitole De Toulouse | E Minor | 3 | 9A | 95 BPM |
Section: 0.783160924911499
End: 0.7866013050079346