Orchestra of the Viennese Volksoper & Alfred Scholz's 'Morning Post Waltz, Op. 279: Morgenbla¨tter' came out on January 1, 2009. Morning Post Waltz, Op. 279: Morgenbla¨tter appears to be safe for all ages as it is not explicit. The track order of this song in Orchestra of the Viennese Volksoper & Alfred Scholz's "Great Strauss Waltzes, Polkas & Marches: Alfred Scholz & The Viennese Folk Opera Orchestra" album is number 8 out of 21. On top of that, United States appears to be the country where this track was created. The popularity of Morning Post Waltz, Op. 279: Morgenbla¨tter is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Morning Post Waltz, Op. 279: Morgenbla¨tter by Orchestra of the Viennese Volksoper & Alfred Scholz to be Presto (very, very fast) because the track has a tempo of 181 BPM, a half-time of 90BPM, and a double-time of 362 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 3/4.
This song has a musical key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Eugene Onegin (continued) (Act 3): Polonaise | Pyotr Ilyich Tchaikovsky, Sofia Festival Orchestra, Emil Tchakarov | G Major | 1 | 9B | 206 BPM | ||
Verdi: Aïda, Act 2: "Gloria all'Egitto, ad Iside" (Chorus - Triumphal Scene) | Giuseppe Verdi, Carlo Rizzi, Orchestra dell'Accademia Nazionale di Santa Cecilia | A♭ Major | 1 | 4B | 105 BPM | ||
Marcha De Los Sacerdotes | Orquesta Sinfonica Y Coros De Baden-Baden | F Major | 1 | 7B | 73 BPM | ||
Grieg: Piano Concerto In A Minor | London Festival Orchestra | A Minor | 1 | 8A | 121 BPM | ||
Spanish Capriccio in A Major, Op. 34: V. Fandango asturiano | Nikolai Rimsky-Korsakov, Czech Philharmonic Orchestra, Vladimír Válek | D Major | 3 | 10B | 96 BPM | ||
Scheherazade: The Festival at Bagdad | Nikolai Rimsky-Korsakov, Joakim Svenheden | E Minor | 2 | 9A | 94 BPM | ||
Water Music Suite No. 1 in F Major, HWV 348: V. Air | George Frideric Handel, Orpheus Chamber Orchestra | F Major | 0 | 7B | 89 BPM | ||
Schéhérazade, Symphonische Suite Op.35 "The Young Prince and the Young Princess" : Andantino quasi allegretto | The Royal Alhambra Orchestra | G Major | 1 | 9B | 85 BPM | ||
Sinfonia in B minor, RV 169, "Al Santo Sepolcro": II. Allegro ma poco | Karoly Botvay | B Minor | 0 | 10A | 74 BPM | ||
Haydn: Symphony No. 94 in G Major, Hob. I:94 "Surprise": IV. Finale. Allegro di molto | Franz Joseph Haydn, André Previn, Pittsburgh Symphony Orchestra | G Major | 2 | 9B | 140 BPM |
Section: 0.7083134651184082
End: 0.7127177715301514