George Frideric Handel, Orpheus Chamber Orchestra's 'Water Music Suite No. 1 in F Major, HWV 348: V. Air' came out on January 1, 1992. The duration of Water Music Suite No. 1 in F Major, HWV 348: V. Air is about 3 minutes long, at 3:26. Based on our data, "Water Music Suite No. 1 in F Major, HWV 348: V. Air" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in George Frideric Handel, Orpheus Chamber Orchestra's "Handel: Water Music, HWV 348-350; Music for the Royal Fireworks, HWV 351" album is number 13 out of 26. Water Music Suite No. 1 in F Major, HWV 348: V. Air is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Water Music Suite No. 1 in F Major, HWV 348: V. Air by George Frideric Handel, Orpheus Chamber Orchestra to be Andante (at a walking pace) because the track has a tempo of 89 BPM, a half-time of 44BPM, and a double-time of 178 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concertino for Horn and Orchestra in E minor, Op. 45: Polacca | Carl Maria von Weber, Hermann Baumann, Gewandhausorchester, Kurt Masur | E Major | 1 | 12B | 104 BPM | ||
Concerto in C Major für Viola und Orchester: I. Largo | Capella Istropolitana, Paul Kantschieder | G Major | 1 | 9B | 101 BPM | ||
Concerto Grosso No. 3 in F Major: III. Allegro | Alessandro Scarlatti, Capella Istropolitana, Jaroslav Krcek | F Major | 2 | 7B | 135 BPM | ||
Concerto Grosso in D Major, Op. 6, No. 1: II. Allegro | Arcangelo Corelli, Franz Liszt Chamber Orchestra, János Rolla | F Major | 0 | 7B | 72 BPM | ||
Capriol Suite: 3. Tordion | Peter Warlock, Academy of St. Martin in the Fields, Nicholas Kraemer, Sir Neville Marriner | G Minor | 0 | 6A | 96 BPM | ||
Suite from Dardanus: Le Monstre sortant des flots | Jean-Philippe Rameau, Nicholas McGegan, Philharmonia Baroque Orchestra | A Major | 4 | 11B | 111 BPM | ||
Piano Sonata in E minor, H.XVI No.34: 3. Vivace molto, innocentemente | Franz Joseph Haydn, Alfred Brendel | E Major | 1 | 12B | 122 BPM | ||
Flute Concerto No. 1 in G Major: I. Spiritoso | Giovanni Battista Pergolesi, Jean-Pierre Rampal, Stuttgart Chamber Orchestra, Karl Münchinger | D Major | 2 | 10B | 112 BPM | ||
Concerto Per Oboe, Archi E Continuo In Re Minore: II. Adagio | Alessandro Marcello, Venice Baroque Orchestra | D♭ Minor | 0 | 12A | 79 BPM | ||
San Giovanni Battista: Sinfonia | Alessandro Stradella, Concerto Italiano, Rinaldo Alessandrini | D♭ Major | 1 | 3B | 64 BPM |
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