Paul Moravec, Lyric Opera of Kansas City, Gerard Schwarz, Edward Parks's 'The Shining, Act I: She creeps.' came out on April 12, 2024. With The Shining, Act I: She creeps. being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 68 in the song's album "The Shining". In this album, this song's track order is #20. Furthermore, we believe that the track originated from Netherlands. The Shining, Act I: She creeps. is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With The Shining, Act I: She creeps. by Paul Moravec, Lyric Opera of Kansas City, Gerard Schwarz, Edward Parks having a BPM of 77 with a half-time of 38 BPM and a double-time of 154 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of F Minor. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Akt I: Durch Mitleid wissend | Richard Wagner, Stefan Cerny, Philippe Jordan | A♭ Major | 1 | 4B | 76 BPM | ||
Symphony No. 9 in D Minor, WAB 109 (Original Version): II. Scherzo. Bewegt, lebhaft | Anton Bruckner, Gürzenich Orchester Köln, François-Xavier Roth | C Major | 0 | 8B | 87 BPM | ||
Symphony No. 1, Op. 13: II. Lent | George Enescu, Orchestre National De France, Cristian Măcelaru | B Major | 0 | 1B | 116 BPM | ||
Nashville Concerto: III. Rondo - Scherzo | Jurgen De Pillecyn, Eddy Vanoosthuyse, Ataneres Ensemble, Erik Desimpelaere | A♭ Major | 1 | 4B | 83 BPM | ||
Ravel: Alborada del Gracioso, M. 43 No. 4 | Maurice Ravel, Riccardo Muti, Philadelphia Orchestra | D Major | 1 | 10B | 123 BPM | ||
Annelies (chamber version): I. Introit - Prelude | James Whitbourn, Arianna Zukerman, Westminster Williamson Voices, Lincoln Trio, Bharat Chandra, James Jordan | C Minor | 1 | 5A | 84 BPM | ||
Resitatiivi, Kun Jeesus Oli Ruokkinut | Joose Vähäsöyrinki, Markku Liukkonen, Heikki Rainio | C Minor | 1 | 5A | 76 BPM | ||
Symphony No. 14, Op. 135: II. Malagueña | Dmitri Shostakovich, Asmik Grigorian, Orchestre Philharmonique de Radio France, Mikko Franck | C Major | 2 | 8B | 101 BPM | ||
Valses nobles et sentimentales, M. 61 (1912 Version for Orchestra): No. 3, Modéré | Maurice Ravel, Basque National Orchestra, Robert Trevino | C Major | 0 | 8B | 82 BPM | ||
La Bohème, SC 67, Act III: Speravo di trovarvi qui | Giacomo Puccini, Cincinnati Pops Orchestra, Erich Kunzel | F Major | 1 | 7B | 89 BPM |
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