"Madame Butterfly : Act I - "Ah! Ah! Quanto Cielo!... Anco" (Chorus, Butterfly)" by Rome Opera Chorus and Orchestra, Victoria de los Ángeles, Giuseppe Di Stefano, Tito Gobbi, Renato Ercolani was released on 1954. The duration of Madame Butterfly : Act I - "Ah! Ah! Quanto Cielo!... Anco" (Chorus, Butterfly) is about 3 minutes long, at 3:08. Based on our data, "Madame Butterfly : Act I - "Ah! Ah! Quanto Cielo!... Anco" (Chorus, Butterfly)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Various Artists's "Giacomo Puccini: Madame Butterfly (Gavazzeni, De Los Angeles, Di Stefano), Vol. 1" album is number 5 out of 17. Madame Butterfly : Act I - "Ah! Ah! Quanto Cielo!... Anco" (Chorus, Butterfly) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Madame Butterfly : Act I - "Ah! Ah! Quanto Cielo!... Anco" (Chorus, Butterfly) by Rome Opera Chorus and Orchestra, Victoria de los Ángeles, Giuseppe Di Stefano, Tito Gobbi, Renato Ercolani to be Andante (at a walking pace) because the track has a tempo of 85 BPM, a half-time of 42BPM, and a double-time of 170 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Il barbiere di Siviglia / Act 1: "Una voce poco fa" - "Sì, sì, la vincerò" (Rosina / Rosina, Figaro, Bartolo, Basilio) | Gioachino Rossini, Gianna D'Angelo, Renato Capecchi, Giorgio Tadeo, Carlo Cava, Bavarian Radio Symphony Orchestra, Bruno Bartoletti | F Major | 1 | 7B | 133 BPM | ||
Donizetti: Lucia di Lammermoor, Act 1: "Egli s'avanza...Lucia, perdona se ad ora inusitata" (Alisa, Edgardo, Lucia) | Gaetano Donizetti, Anna Maria Canali, Giuseppe Di Stefano, Orchestra del Maggio Musicale Fiorentino, Tullio Serafin | D Minor | 2 | 7A | 86 BPM | ||
Four Last Songs, TrV 296: III. Beim Schlafengehen | Richard Strauss, Asmik Grigorian, Mikko Franck, Orchestre Philharmonique de Radio France | E♭ Major | 0 | 5B | 69 BPM | ||
Four Last Songs, Op. posth., TrV 296: III. Beim Schlafengehen | Richard Strauss, Jaime Martin, Siobhan Stagg, Melbourne Symphony Orchestra | F Major | 1 | 7B | 67 BPM | ||
Otello: Deh calma, o ciel, nel sonno | Gioachino Rossini, Hera Hyesang Park, Orchestra del Teatro Carlo Felice, Jochen Rieder | F♯ Minor | 2 | 11A | 80 BPM | ||
Donizetti: Lucia di Lammermoor, Act 1: "Quando rapito in estasi" (Lucia, Alisa) | Gaetano Donizetti, Maria Callas, Anna Maria Canali, Orchestra del Maggio Musicale Fiorentino, Tullio Serafin | D Major | 1 | 10B | 169 BPM | ||
Don Pasquale, Act I: Quel guardo il cavaliere | Ava Dodd, Gaetano Donizetti, RTÉ Concert Orchestra, Andrew Synnott | A♭ Major | 2 | 4B | 87 BPM | ||
L'italiana in Algeri: Atto I. Duetto. Se inclinassi a prender moglie | Gioachino Rossini, Alasdair Kent, Ricardo Seguel, Orchestra Of The 18th Century, Giancarlo Andretta | D Major | 2 | 10B | 148 BPM | ||
Mefistofele, Act I, Scene 2: Dai campi, dai prati | Arrigo Boito, Vittorio Grigolo, Pier Giorgio Morandi, Czech National Symphony Orchestra | F Major | 1 | 7B | 170 BPM | ||
Finestra che lucevi | Vincenzo Bellini, Zambrelli Mario, Stefano Secco | A Minor | 4 | 8A | 83 BPM |
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