South German Philharmonic's 'Messiah, And With His Stripes We Are Healed' came out on April 1, 2010. With Messiah, And With His Stripes We Are Healed being less than two minutes long, at 1:57, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There is only one song in 100 World Classical Masterpieces, so we believe that "Messiah, And With His Stripes We Are Healed" is a single. In terms of popularity, Messiah, And With His Stripes We Are Healed is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Messiah, And With His Stripes We Are Healed by South German Philharmonic is Andante (at a walking pace), since this song has a tempo of 98 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
L'Estro Armonico, Op. 3 - Concerto No. 9 in D Major for Violin and Strings, RV 230: I. Allegro | Janacek Chamber Orchestra, Bohuslav Matousek | D Major | 4 | 10B | 103 BPM | ||
Allegro 2 (Concierto Para Mandolina Do Mayor) | Cámara de la Escala De Milan | B Major | 3 | 1B | 91 BPM | ||
Albinoni: Concerto In B Flat, Op 7 No.3 - I Allegro | Tomaso Albinoni, Tine Thing Helseth | B♭ Major | 3 | 6B | 113 BPM | ||
Flute and Harp Concerto in C, K.299: II. Andantino | Fritz Helmis, Herbert von Karajan, Berliner Philharmoniker, James Galway | C Major | 1 | 8B | 117 BPM | ||
Mozart: Requiem in D Minor, K. 626: II. Kyrie | Nikolaus Harnoncourt, Vienna State Opera Chorus | D Minor | 2 | 7A | 84 BPM | ||
Concerto No. 3 in G Minor for Oboe and Orchestra, HWV 287: III. Sarabande: Largo | Slovak Chamber Orchestra | B♭ Major | 2 | 6B | 65 BPM | ||
Albinoni: Oboe Concerto in B-Flat Major, Op. 9 No. 11: II. Adagio | Tomaso Albinoni, Claudio Scimone, Pierre Pierlot, I Solisti Veneti | D Major | 3 | 10B | 105 BPM | ||
Grieg: Peer Gynt, Op. 23, Act 1: Wedding March | Edvard Grieg, Lucia Popp, Academy of St. Martin in the Fields, Sir Neville Marriner | E Major | 1 | 12B | 84 BPM | ||
Aria and 30 Variations (The Goldberg Variations), BWV 988: Aria | Nodar Gabunia | G Major | 0 | 9B | 96 BPM | ||
March, Op. 33: The Love of the Three Oranges | RSO Bratislava Ondrej Lenard | G Major | 4 | 9B | 110 BPM |
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