On November 5, 1999, the song "Suite No. 3 in A Minor, "Melpomene": Passepied" was released by Johann Caspar Ferdinand Fischer, Luc Beauséjour. With This song being less than two minutes long, at 1:14, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 15 out of 36 in Fischer: Musical Parnassus, Vol. 1 by Johann Caspar Ferdinand Fischer. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. Suite No. 3 in A Minor, "Melpomene": Passepied is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Suite No. 3 in A Minor, "Melpomene": Passepied by Johann Caspar Ferdinand Fischer, Luc Beauséjour is Andante (at a walking pace), since this song has a tempo of 82 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonata in E Minor, Kk. 98 (Arr. for Accordion by Philippe Thuriot) | Domenico Scarlatti, Philippe Thuriot | E Major | 1 | 12B | 140 BPM | ||
Missa in Contrapuncto: XIX. Dona nobis pacem | Johann Caspar Ferdinand Fischer, Marienkantorei Lemgo, Rainer Johannes Homburg, Matthias Gerchen | E♭ Minor | 1 | 2A | 84 BPM | ||
Wassermusik Suite, TWV 55:C3 "Hamburger Ebb' und Fluth": II. Sarabande. Die schlafende Thetis | Georg Philipp Telemann, Robert King, The King's Consort | B Major | 3 | 1B | 128 BPM | ||
Violin Sonata No. 2 in Dorian Mode, C. 139: III. Variatio | Heinrich Ignaz Franz von Biber, Ars Antiqua Austria, Gunar Letzbor | A♭ Major | 1 | 4B | 66 BPM | ||
Violin Sonata in F Major, Op. 5 No. 4: II. Allegro (Version for Flute) | Arcangelo Corelli, Anna Besson, Myriam Rignol, Jean Rondeau | A♭ Major | 1 | 4B | 105 BPM | ||
Keyboard Sonata in B Minor, Kk. 27: Keyboard Sonata in B Minor, K.27/L.449/P.83: Allegro | Domenico Scarlatti, Joseph Payne | B♭ Minor | 5 | 3A | 93 BPM | ||
Concerto in G Minor, RV 157: II. Largo | Antonio Vivaldi, La Festa Musicale | F♯ Minor | 3 | 11A | 131 BPM | ||
Sonata Accademica IX, Op.2: Un poco andante et affettuoso | Francesco Maria Veracini, Orpheus Musicus, Laura Martinez Boj, Sergio Suárez | F♯ Minor | 3 | 11A | 88 BPM | ||
Sonata No. 7 in E Minor "La magnifique": IV. Sarabande | Louis-Nicolas Clérambault, Barthold Kuijken, Arnie Tanimoto, Donald Livingston | D Minor | 1 | 7A | 103 BPM | ||
Guitar Quintet No. 4 in D Major, G. 448: I. Pastorale | Luigi Boccherini, José Miguel Moreno, La Real Cámara | A♭ Major | 0 | 4B | 110 BPM |