Johann Sebastian Bach, Sir Neville Marriner, William Bennett, Academy of St. Martin in the Fields's 'Bach, JS: Orchestral Suite No. 2 in B Minor, BWV 1067: III. Sarabande' came out on 1987. The duration of Bach, JS: Orchestral Suite No. 2 in B Minor, BWV 1067: III. Sarabande is about 3 minutes long, at 3:20. Based on our data, "Bach, JS: Orchestral Suite No. 2 in B Minor, BWV 1067: III. Sarabande" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 3 out of 43 in Bach: Brandenburg Concertos - Orchestral Suites by Johann Sebastian Bach, Sir Neville Marriner. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Based on our statistics, Bach, JS: Orchestral Suite No. 2 in B Minor, BWV 1067: III. Sarabande's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Bach, JS: Orchestral Suite No. 2 in B Minor, BWV 1067: III. Sarabande by Johann Sebastian Bach, Sir Neville Marriner, William Bennett, Academy of St. Martin in the Fields is Allegro (fast, quick, and bright), since this song has a tempo of 147 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 3/4.
This song is in the music key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto No. 4 in G major, BWV 1049: I. Allegro | Johann Sebastian Bach, Freiburger Barockorchester | F Major | 2 | 7B | 99 BPM | ||
Concerto No. 4 in G major, BWV 1049: II. Andante | Johann Sebastian Bach, Freiburger Barockorchester | D Minor | 0 | 7A | 135 BPM | ||
Brandenburg Concerto No. 6 In B Flat Major, BWV 1051: I. Allegro | Cologne Chamber Orchestra, Johann Sebastian Bach | B♭ Major | 2 | 6B | 90 BPM | ||
Concerto in A Minor for Flute and Strings: I. Allegro | Michel Blavet, Dorothee Oberlinger | A♭ Minor | 2 | 1A | 116 BPM | ||
Cello Suite No. 5 in C Minor, BWV 1011: I. Prélude | Johann Sebastian Bach, Yo-Yo Ma | C Minor | 2 | 5A | 88 BPM | ||
Adagio in F, H.XVII No.9 | Franz Joseph Haydn, Alfred Brendel | F Major | 0 | 7B | 71 BPM | ||
Concerto In F Major, F Dur BWV978, After Antonio Vivaldi: (Allegro) | Arts Music Recording, Rotterdam, Pieter Dirksen, Johann Sebastian Bach | E Minor | 1 | 9A | 81 BPM | ||
Concerto for Strings in A Minor, RV 161: I. Allegro | Antonio Vivaldi, Accademia I Filarmonici, Alberto Martini | B♭ Major | 5 | 6B | 124 BPM | ||
Cello Suite No. 6 in D Major, BWV 1012: VI. Gigue | Johann Sebastian Bach, Yo-Yo Ma | D Major | 1 | 10B | 71 BPM | ||
Deuxieme livre, Suite en Mi: X. Tambourin | Jean-Philippe Rameau, Alexander Paley | A Major | 1 | 11B | 130 BPM |
Section: 0.7658123970031738
End: 0.7710516452789307