John Harle, Sarah Leonard's 'Innocent (After Francis Bacon's Study After Velazquez's Portrait of Pope Innocent X)' came out on November 20, 2020. With this song being about 5 minutes long, at 5:12, "Innocent (After Francis Bacon's Study After Velazquez's Portrait of Pope Innocent X)" by John Harle, Sarah Leonard is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 10 in the song's album "The John Harle Collection Vol. 13: Progressive! (Songs and Electronic Music 2005-2020)". In this album, this song's track order is #7. Innocent (After Francis Bacon's Study After Velazquez's Portrait of Pope Innocent X) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Innocent (After Francis Bacon's Study After Velazquez's Portrait of Pope Innocent X) by John Harle, Sarah Leonard having a BPM of 78 with a half-time of 39 BPM and a double-time of 156 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 1/4.
This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Metropolis (1999): Street Scene | David Watts, John Harle, Royal Ballet Sinfonia, Gavin Sutherland | C Minor | 1 | 5A | 128 BPM | ||
Sucrier Velours | Billy Strayhorn, Duke Ellington, John Harle | C Major | 0 | 8B | 64 BPM | ||
RANT! | John Harle, Jess Gillam, BBC Concert Orchestra, Jessica Cottis | A Major | 5 | 11B | 127 BPM | ||
Spring 2 | Max Richter, Daniel Hope, Raphael Alpermann, Konzerthaus Kammerorchester Berlin, Andre de Ridder | D♭ Minor | 2 | 12A | 174 BPM | ||
Mandolin Concerto in C Major, RV 425: I. Allegro | Antonio Vivaldi, Avi Avital, Venice Baroque Orchestra | C Major | 2 | 8B | 97 BPM | ||
Concerto for Stan Getz: 3. Con brio | Richard Rodney Bennett, John Harle, BBC Concert Orchestra, Barry Wordsworth | D Major | 1 | 10B | 69 BPM | ||
Intermezzo From Cavalleria Rusticana | Pietro Mascagni, Royal Philharmonic Orchestra, Philip Ellis | F Major | 1 | 7B | 86 BPM | ||
Memories of a Promenade II | Olga Scheps, Flying Steps | C Minor | 0 | 5A | 74 BPM | ||
Quanta Qualia | Patrick Hawes, Conventus Choir, English Chamber Orchestra | E♭ Major | 1 | 5B | 139 BPM | ||
Keyboard Concerto No. 5 in F Minor, BWV 1056: II. Largo | Johann Sebastian Bach, Simone Dinnerstein, Staatskapelle Berlin | A♭ Major | 0 | 4B | 59 BPM |
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