"Act III. Hungarian dance. Czardas" by Moscow New Philharmonic Orchestra, Vladimir Ponkin was released on 2004. The duration of Act III. Hungarian dance. Czardas is about two minutes long, specifically at 2:35. This song does not appear to have any foul language. Act III. Hungarian dance. Czardas's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 15 in the song's album "P. Tchaikovsky: The Swan Lake, ballet (excerpts)". In this album, this song's track order is #9. Act III. Hungarian dance. Czardas is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Act III. Hungarian dance. Czardas by Moscow New Philharmonic Orchestra, Vladimir Ponkin having a BPM of 84 with a half-time of 42 BPM and a double-time of 168 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Serenade No. 13 in G Major, K. 525 "Eine kleine Nachtmusik": III. Menuetto. Allegretto | Wolfgang Amadeus Mozart, Wiener Kammerphilharmonie | D Major | 1 | 10B | 132 BPM | ||
Violin Concerto No. 9 in A Minor, Op. 104: I. Allegro maestoso | Charles-Auguste de Bériot, Takako Nishizaki, RTBF Symphony Orchestra, Alfred Walter | A Minor | 1 | 8A | 88 BPM | ||
Emeralds - Faure: Incidental music to Pelleas et Melisande, Op. 80 and Shylock, Op. 57; Pelleas et Melisande - Sicilienne: Allegretto molto moderato | Gabriel Fauré, NEW YORK CITY BALLET ORCHESTRA/ROBERT IRVING, CONDUCTOR | E♭ Major | 0 | 5B | 88 BPM | ||
Vienna Blood - Waltz Op. 354 | Johann Strauss II, Hallé, Bryden Thomson | C Major | 0 | 8B | 178 BPM | ||
The Sleeping Beauty, Op. 66 : Prologue, No.3 Pas de six, Variation V. Violente (Fairy of the Golden Vine) | Saint Petersburg Radio and TV Symphony Orchestra, Stanislav Gorkovenko | F Major | 1 | 7B | 133 BPM | ||
Giselle (1996 Digital Remaster), Act I, No.5, Peasant pas de deux (Burgmuller): Entrance | Adolphe Adam, Terence Kern/London Festival Ballet Orchestra, Terence Kern, Terrence Kern, London Festival Ballet Orchestra | D Major | 5 | 10B | 103 BPM | ||
Carmen Suite No. 1: 1. Prélude | Georges Bizet, Orchestre de Paris, Semyon Bychkov | A Minor | 1 | 8A | 96 BPM | ||
Act IV. Scene near the Lake. Odetta and the swans. Variations of the Evil Genius and Zigfrid. Final scene. | Moscow New Philharmonic Orchestra, Vladimir Ponkin | E Major | 3 | 12B | 133 BPM | ||
Le Cid / Act 2: Aragonaise | Jules Massenet, National Philharmonic Orchestra, Richard Bonynge | G Major | 2 | 9B | 78 BPM | ||
Barcarole ("June" from the "Seasons") | The Chamber Orchestra Kremlin, Misha Rachlevsky | G Minor | 0 | 6A | 80 BPM |
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