"Act IV. Scene near the Lake. Odetta and the swans. Variations of the Evil Genius and Zigfrid. Final scene." by Moscow New Philharmonic Orchestra, Vladimir Ponkin was released on 2004. Since Act IV. Scene near the Lake. Odetta and the swans. Variations of the Evil Genius and Zigfrid. Final scene. is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 15 in the song's album "P. Tchaikovsky: The Swan Lake, ballet (excerpts)". In this album, this song's track order is #15. Based on our statistics, Act IV. Scene near the Lake. Odetta and the swans. Variations of the Evil Genius and Zigfrid. Final scene.'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Act IV. Scene near the Lake. Odetta and the swans. Variations of the Evil Genius and Zigfrid. Final scene. by Moscow New Philharmonic Orchestra, Vladimir Ponkin having a BPM of 133 with a half-time of 66 BPM and a double-time of 266 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Coppelia: Act II - Valse de la poupee | Léo Delibes, Slovak Radio Symphony Orchestra, Andrew Mogrelia | A Major | 0 | 11B | 87 BPM | ||
Vremena Goda (The Seasons), Op. 67: Summer: Waltz of the Cornflowers and the Poppies | Alexander Glazunov, Slovak Radio Symphony Orchestra | D Major | 1 | 10B | 100 BPM | ||
Scheherazade: The princess in a palanquin | Nikolai Rimsky-Korsakov, Joakim Svenheden | G Major | 1 | 9B | 166 BPM | ||
Tales of Beatrix Potter - Music from the Royal Ballet film: Mrs Tiggy-Winkle's Laundry | John Lanchbery, Orchestra of the Royal Opera House, Covent Garden | F Major | 2 | 7B | 117 BPM | ||
Mam'zelle Angot (Arr. Jacob): No. 7, Allegretto | Charles Lecocq, National Philharmonic Orchestra, Richard Bonynge | G Major | 1 | 9B | 61 BPM | ||
Bronze Horseman Suite: VI. Waltz. Tempo di valse | Reinhold Glière, Sir Edward Downes, BBC Philharmonic | D Major | 0 | 10B | 109 BPM | ||
Symphony No. 9 in E Minor, Op. 95 "From the New World": III. Scherzo. Molto vivace | Antonín Dvořák, New York Philharmonic, Alan Gilbert | C Major | 1 | 8B | 121 BPM | ||
Le Corsaire: Pas de Trois - Conrad Variation | Riccardo Drigo, English National Ballet Philharmonic, Gavin Sutherland | E♭ Major | 1 | 5B | 175 BPM | ||
La Bayadere: Variation 3: Moderato | Ludwig Minkus, Anna Takova-Baynova, Valentina Raicheva, Sofia National Opera Orchestra, Boris Spassov | D Major | 0 | 10B | 78 BPM | ||
Vivaldi: The Four Seasons, Violin Concerto in F Major, Op. 8 No. 3, RV 293 "Autumn": III. Allegro "La caccia" | Antonio Vivaldi, Itzhak Perlman, Israel Philharmonic Orchestra | C Major | 2 | 8B | 154 BPM |
Section: 0.7651777267456055
End: 0.7688632011413574