Daniel Barenboim's 'Bach, JS : Well-Tempered Clavier Book 2 : Prelude No.16 in G minor BWV885' came out on 2004. With this song being around four minutes long, at 3:30, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 79 out of 96 in Bach, JS : Well-Tempered Clavier Books 1 & 2 by Daniel Barenboim. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, Bach, JS : Well-Tempered Clavier Book 2 : Prelude No.16 in G minor BWV885 is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Bach, JS : Well-Tempered Clavier Book 2 : Prelude No.16 in G minor BWV885 by Daniel Barenboim is Andante (at a walking pace), since this song has a tempo of 108 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 3/4.
A♭ Major is the music key of this track. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
6 Album Leaves, Op. 2, JB 1:51: No. 3 in G Major, Vivace | Bedřich Smetana, Jitka Čechová | G Major | 2 | 9B | 144 BPM | ||
L'Herrmann, W. 117/23, H. 92 | Carl Philipp Emanuel Bach, Ana-Marija Markovina | G Minor | 1 | 6A | 119 BPM | ||
Oboe Concerto in G Minor, Op. 9, No. 8: II. Adagio | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | B♭ Major | 1 | 6B | 89 BPM | ||
Scarlatti, D: Keyboard Sonata in B-Flat Major, Kk. 544 | Domenico Scarlatti, Christian Zacharias | B♭ Major | 2 | 6B | 158 BPM | ||
Orfeo ed Euridice, Wq. 30 (Arranged by Sgambati): Melodie dell'Orfeo | Christoph Willibald Gluck, Yuja Wang | D Minor | 0 | 7A | 70 BPM | ||
6 Etudes, Op. 111: IIIb. Fugue. Moderato espressivo | Camille Saint-Saëns, Piers Lane | C Major | 1 | 8B | 91 BPM | ||
Concerto in D Minor, RV 535: IV. Allegro Molto | Antonio Vivaldi, Stefan Schilli, Geoffrey Thomas, Judit Kiss-Domonkos, Budapest Failoni Chamber Orchestra, Béla Nagy | C Major | 2 | 8B | 125 BPM | ||
Variations on a Rococo Theme, Op. 33, TH 57: Var: VI. Andante | Pyotr Ilyich Tchaikovsky, Jean-Guihen Queyras, BBC Symphony Orchestra, Jiří Bělohlávek | D Major | 0 | 10B | 114 BPM | ||
Bach, JS : Well-Tempered Clavier Book 2 : Prelude No.14 in F sharp minor BWV883 | Daniel Barenboim | D♭ Major | 2 | 3B | 122 BPM | ||
Suite en ré: la Boiteuse | Jean-Philippe Rameau, Natacha Kudritskaya | E Major | 2 | 12B | 103 BPM |
Section: 0.665733814239502
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