Airs from the Patrick MacDonald Collection: No. 7. Fadilegan Sgarba
Erik Chisholm, Murray McLachlan
Chisholm, E.: Music for Piano, Vol. 2
1:18 April 1, 2013
BPM
109
Key
A Major
Camelot
11B

Embed

Share Link

Airs from the Patrick MacDonald Collection: No. 7. Fadilegan Sgarba - Erik Chisholm, Murray McLachlan Information

Acousticness
99%
Danceability
40%
Energy
15%
Instrumentalness
69%
Liveness
16%
Loudness
65%
Speechiness
4%
Valence
39%
Popularity
Loudness
-21.128 dB

Summary

Erik Chisholm, Murray McLachlan's 'Airs from the Patrick MacDonald Collection: No. 7. Fadilegan Sgarba' came out on April 1, 2013. With Airs from the Patrick MacDonald Collection: No. 7. Fadilegan Sgarba being less than two minutes long, at 1:18, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 17 out of 42 in Chisholm, E.: Music for Piano, Vol. 2 by Erik Chisholm, Murray McLachlan. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, Airs from the Patrick MacDonald Collection: No. 7. Fadilegan Sgarba is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.

Airs from the Patrick MacDonald Collection: No. 7. Fadilegan Sgarba BPM

The tempo marking of Airs from the Patrick MacDonald Collection: No. 7. Fadilegan Sgarba by Erik Chisholm, Murray McLachlan is Moderato (at a moderate speed), since this song has a tempo of 109 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.

Airs from the Patrick MacDonald Collection: No. 7. Fadilegan Sgarba Key

A Major is the music key of this track. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Improvisations on Hungarian Peasant Songs, Op. 20, BB 83: No. 3. Lento, rubato by Béla Bartók, Andrew RangellImprovisations on Hungarian Peasant Songs, Op. 20, BB 83: No. 3. Lento, rubatoBéla Bartók, Andrew RangellE♭ Major05B74 BPM
Ma mère l'oye, M. 60: 1. Pavane de la Belle au bois dormant by Valeria Szervánszky, Ronald CavayeMa mère l'oye, M. 60: 1. Pavane de la Belle au bois dormantValeria Szervánszky, Ronald CavayeA Minor08A135 BPM
Haurren Irudiak: III. Santa Bárbara by Beatriz Arzamendi, Noemí Teruel SerranoHaurren Irudiak: III. Santa BárbaraBeatriz Arzamendi, Noemí Teruel SerranoC Major28B111 BPM
Pictures from Dante (After Doré): I. Inferno: Theme - Variation 1 (Poco Più Mosso) - Variation 2 (Vivo) - Variation 3 (Grave e Pesante) - Variation 4 (Tempestuoso - Alla Marcia) - Adagio by Erik Chisholm, Martin Yates, Royal Scottish National OrchestraPictures from Dante (After Doré): I. Inferno: Theme - Variation 1 (Poco Più Mosso) - Variation 2 (Vivo) - Variation 3 (Grave e Pesante) - Variation 4 (Tempestuoso - Alla Marcia) - AdagioErik Chisholm, Martin Yates, Royal Scottish National OrchestraG Major19B74 BPM
Nocturne 'Homage to John Field', Op. 33 by Samuel Barber, Ruth SlenczynskaNocturne 'Homage to John Field', Op. 33Samuel Barber, Ruth SlenczynskaA♭ Major14B65 BPM
Requiem, Op. 63: Ib. Te decet hymnus – by Charles Villiers Stanford, Carolyn Sampson, James Way, Ross Ramgobin, Marta Fontanals-Simmons, University of Birmingham Voices, City Of Birmingham Symphony Orchestra, Martyn BrabbinsRequiem, Op. 63: Ib. Te decet hymnus –Charles Villiers Stanford, Carolyn Sampson, James Way, Ross Ramgobin, Marta Fontanals-Simmons, University of Birmingham Voices, City Of Birmingham Symphony Orchestra, Martyn BrabbinsE Minor19A79 BPM
Adagio in C for Glass Harmonica, K 356/617a (Arr. For Piano), Bonus Track by Wolfgang Amadeus Mozart, Fabrizio ChiovettaAdagio in C for Glass Harmonica, K 356/617a (Arr. For Piano), Bonus TrackWolfgang Amadeus Mozart, Fabrizio ChiovettaC Major08B134 BPM
The Mermaid’s Song by Erik Chisholm, Mhairi Lawson, Iain BurnsideThe Mermaid’s SongErik Chisholm, Mhairi Lawson, Iain BurnsideB♭ Major06B134 BPM
Sylvia, Act III: Divertissement: Pizzicati (Arr. Hough for Piano) by Léo Delibes, Stephen HoughSylvia, Act III: Divertissement: Pizzicati (Arr. Hough for Piano)Léo Delibes, Stephen HoughE♭ Major25B104 BPM
Ma Mère l'Oye - Pavane de la Belle au bois dormant by Jean-Claude Pennetier, Christian IvaldiMa Mère l'Oye - Pavane de la Belle au bois dormantJean-Claude Pennetier, Christian IvaldiC Major08B104 BPM
ISRC
GBBDZ0825019
Label
L-M Records/RCA Records

Section: 0.8468465805053711

End: 0.8534374237060547