Erik Chisholm, Murray McLachlan's 'Airs from the Patrick MacDonald Collection: No. 7. Fadilegan Sgarba' came out on April 1, 2013. With Airs from the Patrick MacDonald Collection: No. 7. Fadilegan Sgarba being less than two minutes long, at 1:18, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 17 out of 42 in Chisholm, E.: Music for Piano, Vol. 2 by Erik Chisholm, Murray McLachlan. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, Airs from the Patrick MacDonald Collection: No. 7. Fadilegan Sgarba is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Airs from the Patrick MacDonald Collection: No. 7. Fadilegan Sgarba by Erik Chisholm, Murray McLachlan is Moderato (at a moderate speed), since this song has a tempo of 109 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
A Major is the music key of this track. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Improvisations on Hungarian Peasant Songs, Op. 20, BB 83: No. 3. Lento, rubato | Béla Bartók, Andrew Rangell | E♭ Major | 0 | 5B | 74 BPM | ||
Ma mère l'oye, M. 60: 1. Pavane de la Belle au bois dormant | Valeria Szervánszky, Ronald Cavaye | A Minor | 0 | 8A | 135 BPM | ||
Haurren Irudiak: III. Santa Bárbara | Beatriz Arzamendi, Noemí Teruel Serrano | C Major | 2 | 8B | 111 BPM | ||
Pictures from Dante (After Doré): I. Inferno: Theme - Variation 1 (Poco Più Mosso) - Variation 2 (Vivo) - Variation 3 (Grave e Pesante) - Variation 4 (Tempestuoso - Alla Marcia) - Adagio | Erik Chisholm, Martin Yates, Royal Scottish National Orchestra | G Major | 1 | 9B | 74 BPM | ||
Nocturne 'Homage to John Field', Op. 33 | Samuel Barber, Ruth Slenczynska | A♭ Major | 1 | 4B | 65 BPM | ||
Requiem, Op. 63: Ib. Te decet hymnus – | Charles Villiers Stanford, Carolyn Sampson, James Way, Ross Ramgobin, Marta Fontanals-Simmons, University of Birmingham Voices, City Of Birmingham Symphony Orchestra, Martyn Brabbins | E Minor | 1 | 9A | 79 BPM | ||
Adagio in C for Glass Harmonica, K 356/617a (Arr. For Piano), Bonus Track | Wolfgang Amadeus Mozart, Fabrizio Chiovetta | C Major | 0 | 8B | 134 BPM | ||
The Mermaid’s Song | Erik Chisholm, Mhairi Lawson, Iain Burnside | B♭ Major | 0 | 6B | 134 BPM | ||
Sylvia, Act III: Divertissement: Pizzicati (Arr. Hough for Piano) | Léo Delibes, Stephen Hough | E♭ Major | 2 | 5B | 104 BPM | ||
Ma Mère l'Oye - Pavane de la Belle au bois dormant | Jean-Claude Pennetier, Christian Ivaldi | C Major | 0 | 8B | 104 BPM |
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