"Locke : The Tempest : VI Curtain Tune" by Matthew Locke, Il Giardino Armonico was released on December 1, 1992. With this song being about 5 minutes long, at 5:19, "Locke : The Tempest : VI Curtain Tune" by Matthew Locke, Il Giardino Armonico is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. This song is part of Zelenka, Biber & Locke : Various Works by Giovanni Antonini, Innsbruck Trumpet Consort & Il Giardino Armonico, Il Giardino Armonico. The song's track number on the album is #37 out of 42 tracks. Based on our data, Germany was the country where this track was produced or recorded. In terms of popularity, Locke : The Tempest : VI Curtain Tune is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Locke : The Tempest : VI Curtain Tune by Matthew Locke, Il Giardino Armonico has a tempo of 104 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Locke : The Tempest : VI Curtain Tune being at 104 BPM, the half-time would be 52 BPM with a double-time of 208 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 3/4.
This song is in the music key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sinfonia | Biagio Marini, Odhecaton, Paolo da Col | A Minor | 1 | 8A | 115 BPM | ||
Locke: Suite No. 4 in C Major (from "Duos for Two Bass Viols"): I. Fantasy | Matthew Locke, Fretwork | A♭ Minor | 0 | 1A | 114 BPM | ||
Les Éléments: III. Chaconne : Le Feu | Jean-Féry Rebel, Jordi Savall, Le Concert Des Nations | D♭ Major | 3 | 3B | 77 BPM | ||
Sonata & Suite in D-Dur: Sonata & Suite in D-Dur: IV. [Solo-Andante] | Dietrich Becker, La Rêveuse, Florence Bolton, Sébastien Wonner, Benjamin Perrot | D♭ Major | 1 | 3B | 102 BPM | ||
Euridice: Sinfonia | Giulio Caccini, Rinaldo Alessandrini, Concerto Italiano | G Major | 2 | 9B | 79 BPM | ||
Fantasia-Suite No. 8 in D Major: I. Fantazia | William Lawes, Rachel Podger, Brecon Baroque | A♭ Minor | 2 | 1A | 112 BPM | ||
Sonata & Suite in D-Dur: Sonata & Suite in D-Dur: VI. Allmandt | Dietrich Becker, La Rêveuse, Florence Bolton, Benjamin Perrot, Sébastien Wonner | D♭ Major | 2 | 3B | 79 BPM | ||
Balletto fatto nella Bariera sopra la Sala di Bologna | Francesco Corbetta, Pierre Pitzl, Private Musicke | D♭ Minor | 0 | 12A | 77 BPM | ||
A miei pianti al fine un dì, F7.32 | Girolamo Frescobaldi, Clematis, Leonardo García-Alarcón | G Major | 1 | 9B | 130 BPM | ||
San Giovanni Battista: Overture | Alessandro Stradella, Nereydas, Javier Ulises Illán | D Major | 2 | 10B | 61 BPM |
Section: 0.8929879665374756
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