Schwanensee, Op. 20: Act I No. 4: Pas de trois - Pyotr Ilyich Tchaikovsky, Russian State Symphony Orchestra, Dmitry Yablonsky Information

Acousticness: 74%
Danceability: 25%
Energy: 71%
Instrumentalness: 85%
Liveness: 5%
Loudness: 87%
Speechiness: 13%
Valence: 16%
Popularity: 13%
Loudness: -7.596 dB

Summary

"Schwanensee, Op. 20: Act I No. 4: Pas de trois" by Pyotr Ilyich Tchaikovsky, Russian State Symphony Orchestra, Dmitry Yablonsky was released on November 18, 2002. The duration of Schwanensee, Op. 20: Act I No. 4: Pas de trois is about two minutes long, specifically at 2:27. This song does not appear to have any foul language. Schwanensee, Op. 20: Act I No. 4: Pas de trois's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 55 in the song's album "Tchaikovsky: Swan Lake (Complete Ballet)". In this album, this song's track order is #5. Furthermore, we believe that the track originated from Hong Kong. Schwanensee, Op. 20: Act I No. 4: Pas de trois is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Schwanensee, Op. 20: Act I No. 4: Pas de trois BPM

With Schwanensee, Op. 20: Act I No. 4: Pas de trois by Pyotr Ilyich Tchaikovsky, Russian State Symphony Orchestra, Dmitry Yablonsky having a BPM of 58 with a half-time of 29 BPM and a double-time of 116 BPM, we would consider this track to have a Lento (slowly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.

Schwanensee, Op. 20: Act I No. 4: Pas de trois Key

This song has a musical key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Symphony No. 2 in B-Flat Major, Op. 52, MWV A18 "Lobgesang": Ib. Allegretto un poco agitato	Felix Mendelssohn, NDR Radiophilharmonie, Andrew Manze	G Minor	0	6A	109 BPM
Symphonie fantastique: V. Dream of a Witches' Sabbath, Larghetto - Allegro)	Hector Berlioz, Philadelphia Orchestra, Christoph Eschenbach	C Minor	1	5A	61 BPM
Lohengrin: Prelude	Richard Wagner, Slovak Philharmonic, Michael Halasz	A Major	0	11B	75 BPM
Waltz No. 3 in A minor, Op. 34 No. 2	Frédéric Chopin, Helen Callus, Philip Bush	G Minor	0	6A	76 BPM
Berceuse in B-Flat Major, Op. 38	Camille Saint-Saëns, Fanny Clamagirand, Vanya Cohen	E Major	1	12B	71 BPM
La Bayadere: Variation 1: Andante	Ludwig Minkus, Anna Takova-Baynova, Valentina Raicheva, Sofia National Opera Orchestra, Boris Spassov	A Major	1	11B	130 BPM
Bolt, Op. 27a (Ballet Suite No. 5): VI. The Dance of the Colonial Slave-Girl	Dmitri Shostakovich, Russian State Symphony Orchestra, Dmitry Yablonsky	A Minor	0	8A	138 BPM
Giselle: Act II: Valse	Adolphe Adam, Slovak Radio Symphony Orchestra, Andrew Mogrelia	B♭ Major	1	6B	85 BPM
6 Romances, Op. 16: No. 1. Cradle Song (arr. S. Rachmaninov): Cradle Song (trans. for piano by S. Rachmaninov)	Sergei Rachmaninoff, Pyotr Ilyich Tchaikovsky, Roland Pöntinen	A♭ Minor	0	1A	132 BPM
Piano Concerto No. 1 In B Flat Minor, Op. 23, TH.55: 2. Andantino semplice - Prestissimo - Tempo I	Pyotr Ilyich Tchaikovsky, Behzod Abduraimov, Orchestra Sinfonica Nazionale Della RAI, Juraj Valcuha	A♭ Major	0	4B	69 BPM

ISRC: HKI190201205
Label: L-M Records/RCA Records

Section: 0.7533097267150879

End: 0.7579636573791504