"Le vaisseau fantôme, Act II: “Mein Kind, du siehst mich auf der Schwelle”" by George London, Leonie Rysanek, Giorgio Tozzi, Karl Liebl, Rosalind Elias, Richard Lewis, Choeurs et Orchestre du Royal Opera House Covent Garden, Antal Doráti was released on 1960. With Le vaisseau fantôme, Act II: “Mein Kind, du siehst mich auf der Schwelle” being less than two minutes long, at 1:59, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of Wagner: Le vaisseau fantôme (Les indispensables de Diapason) by Various Artists. The song's track number on the album is #5 out of 27 tracks. Based on our data, France was the country where this track was produced or recorded. In terms of popularity, Le vaisseau fantôme, Act II: “Mein Kind, du siehst mich auf der Schwelle” is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Le vaisseau fantôme, Act II: “Mein Kind, du siehst mich auf der Schwelle” by George London, Leonie Rysanek, Giorgio Tozzi, Karl Liebl, Rosalind Elias, Richard Lewis, Choeurs et Orchestre du Royal Opera House Covent Garden, Antal Doráti has a tempo of 110 beats per a minute, the tempo markings of this song would be Moderato (at a moderate speed). With Le vaisseau fantôme, Act II: “Mein Kind, du siehst mich auf der Schwelle” being at 110 BPM, the half-time would be 55 BPM with a double-time of 220 BPM.In addition, we consider the tempo speed to be pretty moderate for this song. The time signature for this track is 3/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Carmina Burana / Uf dem Anger: "Chramer, gip die varwe mir" | Carl Orff, Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Eugen Jochum | C Major | 0 | 8B | 152 BPM | ||
Carmen (1997 - Remaster), Act III: C'est des contrebandiers....Air de Micaëla:Je dis, que rien ne m'épouvante | Georges Bizet, Andréa Guiot/Orchestre de l'Opéra National de Paris/Georges Prêtre, Georges Prêtre, Orchestre du Théâtre National de l'Opéra Paris, Orchestre de l'Opéra National de Paris, Paris Opera Orchestra | E♭ Major | 1 | 5B | 86 BPM | ||
Die Meistersinger von Nürnberg, WWV 96 / Act 3: "Verachtet mir die Meister nicht" | Richard Wagner, Norman Bailey, Kurt Moll, Michel Sénéchal, Adalbert Kraus, Martin Egel, Bernd Weikl, Gerd Nienstedt, Max Schönherr, Wolfgang Appel, Herbert Berger-Tuna, Kurt Rydl, Rudolf A Hartmann, René Kollo, Adolf Dallapozza, Hannelore Bode, Julia Hamari, Gumpoldskirchner Spatzen, Vienna State Opera Chorus, Wiener Philharmoniker, Sir Georg Solti | F Major | 4 | 7B | 179 BPM | ||
Der Freischütz, J. 277 / Act 3: "Wir winden dir den Jungfernkranz" | Carl Maria von Weber, Renate Hoff, Renate Krahmer, Ingeborg Springer, Brigitte Pfretzschner, Ingrid Hille, MDR Leipzig Radio Chorus, Staatskapelle Dresden, Carlos Kleiber | C Major | 0 | 8B | 99 BPM | ||
Romeo and Juliette, Act I: Non! non! je ne veux pas t'écouter plus longtemps | Charles Gounod, Angela Gheorghiu, Michel Plasson, Wolff, Orchestre Du Capitole De Toulouse | G Major | 0 | 9B | 111 BPM | ||
L'elisir d'amore / Act 1: "Come Paride vezzoso" | Gaetano Donizetti, Dmitri Hvorostovsky, Philharmonia Orchestra, Ion Marin | F Major | 2 | 7B | 73 BPM | ||
Carmen, WD 31, Act II: Gypsy Song. Les tringles des sistres tintaient (Carmen, Fasquita, Zuniga, Mercedes) | Georges Bizet, Graciela Alperyn, Slovak Radio Symphony Orchestra, Ali Rahbari, Giorgio Lamberti, Alan Titus, Doina Palade, Dalia Schaechter, Ann Liebeck, Danilo Rigosa, Slovak Philharmonic Chorus, Bratislava Children's Choir | F Major | 2 | 7B | 108 BPM | ||
Les Contes d'Hoffmann (1989 Digital Remaster), Act IV, Scene One: Entr'acte et Romance: Elle a fui, la tourterelle! (Antonia) | Jacques Offenbach, Nicolai Gedda, Elisabeth Schwarzkopf, Victoria de los Ángeles, Gianna D'Angelo, Christiane Gayraud, Robert Geay, Jean-Pierre Laffage, Jean Christophe Benoit, Michel Sénéchal, Ernest Blanc, George London, Nicola Ghiuselev, André Mallabrera, Renée Faure, Jacques Pruvost, André Cluytens, Orchestre De La Société Des Concerts Du Conservatoire | G Major | 3 | 9B | 77 BPM | ||
Semiramide / Act 1: Alle più calde immagini | Gioachino Rossini, Dame Joan Sutherland, Marilyn Horne, London Symphony Orchestra, Richard Bonynge | E♭ Major | 2 | 5B | 86 BPM | ||
Don Giovanni, K. 527, Act II: Act II Scene 1: Duetto: Ehi via, buffone, non mi seccar! (Don Giovanni, Leporello) | Wolfgang Amadeus Mozart, George London, Ezio Flagello, Metropolitan Opera Orchestra, Karl Böhm | B♭ Major | 2 | 6B | 104 BPM |
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