"Mas, ¡Ay, Piedad!" by Juan Hidalgo, La Grande Chapelle, Albert Recasens, Eugenia Boix, Lina Marcela López, Rosa Dominguez, Gabriel Diaz Cuesta, Gerardo Lopez Gamez, Pavel Amilcar, Agnieszka Rychlik, Marc Clos, Emmanuel Vigneron, Sara Ruiz, Charles-Édouard Fantin, Herman Stinders, Johanna Seitz was released on 2014. With this song being about 5 minutes long, at 5:02, "Mas, ¡Ay, Piedad!" by Juan Hidalgo, La Grande Chapelle, Albert Recasens, Eugenia Boix, Lina Marcela López, Rosa Dominguez, Gabriel Diaz Cuesta, Gerardo Lopez Gamez, Pavel Amilcar, Agnieszka Rychlik, Marc Clos, Emmanuel Vigneron, Sara Ruiz, Charles-Édouard Fantin, Herman Stinders, Johanna Seitz is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Juan Hidalgo, Albert Recasens, La Grande Chapelle's "Juan Hidalgo: Música para el Rey Planeta (World Premiere Recording)" album is number 3 out of 17. The popularity of Mas, ¡Ay, Piedad! is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Mas, ¡Ay, Piedad! by Juan Hidalgo, La Grande Chapelle, Albert Recasens, Eugenia Boix, Lina Marcela López, Rosa Dominguez, Gabriel Diaz Cuesta, Gerardo Lopez Gamez, Pavel Amilcar, Agnieszka Rychlik, Marc Clos, Emmanuel Vigneron, Sara Ruiz, Charles-Édouard Fantin, Herman Stinders, Johanna Seitz to be Vivace (lively and fast) because the track has a tempo of 169 BPM, a half-time of 84BPM, and a double-time of 338 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Télémaque & Calypso, Prologue Scene 1: Descendez, régnez sur la terre (Les vertus, les muses et les arts) | Andre Cardinal Destouches, Les Ombres, Sylvain Sartre, Margaux Blanchard, Les Chantres du Centre de Musique Baroque de Versailles | F Minor | 3 | 4A | 85 BPM | ||
Fantasia-Suite No. 8 in D Major: I. Fantazia | William Lawes, Rachel Podger, Brecon Baroque | A♭ Minor | 2 | 1A | 112 BPM | ||
I will exalt Thee | The Choir of Magdalen College, Oxford, John Harper, Christopher Tye | A Minor | 0 | 8A | 93 BPM | ||
Gott Hilf Mir, BuxWV 34: Concerto "Israel, hoffe auf den Herren" | Dietrich Buxtehude, Ricercar Consort, Philippe Pierlot, Maria Keohane, Hanna Bayodi, Carlos Mena, Jeffrey Thompson, Matthias Vieweg | C Minor | 2 | 5A | 90 BPM | ||
Suite No. 1 in G Minor: III. Courante | Matthew Locke, Fretwork, Sergio Bucheli, Silas Wollston | B Major | 1 | 1B | 104 BPM | ||
In Nomine | John Taverner, The Rose Consort Of Viols | E Major | 0 | 12B | 108 BPM | ||
Tarantella | David Douglass, The King's Noyse | E Major | 2 | 12B | 139 BPM | ||
A del arrebol luciente | Juan Hidalgo, Carol Ann Allred, Danny Mallon, Chatham Baroque | E Major | 1 | 12B | 107 BPM | ||
Caro amante | Corrado Bonfiglio, Cappella Mediterranea, Leonardo García-Alarcón, Ana Vieira Leite, Valerio Contaldo | B♭ Minor | 0 | 3A | 110 BPM | ||
L’Eraclito amoroso | Barbara Strozzi, Constantinople, Suzie LeBlanc | E Minor | 1 | 9A | 98 BPM |
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