"Motet No. 5: Fias volontas tua / Qui plus aimme / Aucune gent" by Guillaume de Machaut, Ensemble Musica Nova was released on May 26, 2011. The duration of Motet No. 5: Fias volontas tua / Qui plus aimme / Aucune gent is about two minutes long, specifically at 2:34. This song does not appear to have any foul language. Motet No. 5: Fias volontas tua / Qui plus aimme / Aucune gent's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Guillaume de Machaut, Ensemble Musica Nova's "Machaut: Les motets" album is number 6 out of 34. On top of that, France appears to be the country where this track was created. Motet No. 5: Fias volontas tua / Qui plus aimme / Aucune gent is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Motet No. 5: Fias volontas tua / Qui plus aimme / Aucune gent by Guillaume de Machaut, Ensemble Musica Nova to be Adagio (slowly with great expression) because the track has a tempo of 73 BPM, a half-time of 36BPM, and a double-time of 146 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Comment qu’à moy lonteinne | Guillaume de Machaut, Marc Mauillon, Pierre Hamon, Viva Biancaluna Biffi, Angélique Mauillon, Michaël Grébil | A Minor | 3 | 8A | 100 BPM | ||
Calata ala Spagnola | Joan Ambrosio Dalza, Konrad Ragossnig, Siegfried Fink, Josef Ulsamer | B♭ Major | 2 | 6B | 115 BPM | ||
Dances: Galliard [12] | Anthony Holborne, Guildhall Waits, Trevor Jones, Consort Of Musicke, Anthony Rooley | C Major | 0 | 8B | 158 BPM | ||
Tallis: Lamentations of Jeremiah I - 2. Aleph | The Tallis Scholars, Peter Phillips | F Minor | 0 | 4A | 83 BPM | ||
Ricercar à 3 | Adrian Willaert, The Vienna Recorder Ensemble | B♭ Minor | 0 | 3A | 74 BPM | ||
Cantiones sacrae sex vocum: IV. Qui timet Deum | Orlande de Lassus, Collegium Vocale Gent, Philippe Herreweghe | C Major | 2 | 8B | 78 BPM | ||
Under der linden an der heide | Walther von der Vogelweide, Estampie | A Minor | 0 | 8A | 97 BPM | ||
Ne pensez pas, dame, que je recroie, Ballade 10 | Guillaume de Machaut, Orlando Consort | E♭ Major | 0 | 5B | 114 BPM | ||
Ave cujus conceptio | Nicholas Ludford, Blue Heron, Scott Metcalfe | D Major | 2 | 10B | 133 BPM | ||
Messe vidi turbam magnam: No. 4, Graduel. Exaltent eum | Gregorio Allegri, A Sei Voci, Bernard Fabre-Garrus | A Minor | 0 | 8A | 105 BPM |
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