"Trinity Requiem: Agnus Dei" by Robert Moran, Trinity Youth Chorus, Robert Ridgell was released on September 6, 2011. The duration of Trinity Requiem: Agnus Dei is about two minutes long, specifically at 2:56. This song does not appear to have any foul language. Trinity Requiem: Agnus Dei's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 13 in the song's album "Trinity Requiem - Seven Sounds Unseen - Notturno in Weiss - Requiem for a Requiem". In this album, this song's track order is #6. In terms of popularity, Trinity Requiem: Agnus Dei is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Trinity Requiem: Agnus Dei by Robert Moran, Trinity Youth Chorus, Robert Ridgell having a BPM of 102 with a half-time of 51 BPM and a double-time of 204 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of B Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
6 Sprüche, Op. 79 (Ed. J. Jordan): No. 2, Am Neujahrstage | Felix Mendelssohn, Westminster Williamson Voices, James Jordan | G Major | 2 | 9B | 77 BPM | ||
Pingst | John Lindberg, Academy Chamber Choir of Uppsala, Stefan Parkman | D Minor | 1 | 7A | 115 BPM | ||
Miserere, Op.44: 2. Domine Deus noster-Lento. Dolce Cantabile | Henryk Górecki, Los Angeles Master Chorale, Grant Gershon | C Major | 0 | 8B | 90 BPM | ||
Game of the Antichrist: Scene 5: Enoch and Elias (Enoch and Elias) | Robert Moran, Ensemble Chrismos, Andreas Fuchs, Roman Sladek, Sarah Cocco, Mathias Kamleiter, Andreas Gotz, Leander Kaiser, Jutta Kress, Manuel Eberle, Andreas Unterreiner, Beatrice Menz-Hermann, Alexander Hermann | E Minor | 0 | 9A | 73 BPM | ||
Isorhythmic Motets: Apostolo glorioso - Cum tua doctrina - Andreas, Christi famulus | Guillaume Dufay, Huelgas Ensemble, Paul Van Nevel | C Major | 1 | 8B | 109 BPM | ||
All-Night Vigil, Op. 52, TH 77 (Excerpts): No. 5, Gladsome Light | Pyotr Ilyich Tchaikovsky, Latvian Radio Choir, Sigvards Kļava | E Minor | 0 | 9A | 75 BPM | ||
Piano Hush | Sonic Piano Music | F Minor | 0 | 4A | 71 BPM | ||
Game of the Antichrist: Children's Chorus 2: Stampede | Robert Moran, The Children's Chorus of Gemeinde Vaterstetten, Dirk Michael Kirsch, Andreas Fuchs, Roman Sladek, Mathias Kamleiter, Jutta Kress, Manuel Eberle, Andreas Unterreiner, Beatrice Menz-Hermann, Alexander Hermann | C Major | 4 | 8B | 84 BPM | ||
Enigma Variations. Nimrod: Lux Aeterna | Edward Elgar, London Choral Sinfonia | E Major | 1 | 12B | 87 BPM | ||
Music from the Towers of the Moon: 3. | Robert Moran, Balanescu Quartet | G Major | 0 | 9B | 78 BPM |
Section: 0.6379332542419434
End: 0.6416478157043457