Jean-Féry Rebel, Musica Antiqua Köln, Reinhard Goebel's 'Les Élémens, Simphonie Nouvelle: Loure II' came out on January 1, 1995. The duration of Les Élémens, Simphonie Nouvelle: Loure II is about two minutes long, specifically at 2:24. This song does not appear to have any foul language. Les Élémens, Simphonie Nouvelle: Loure II's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 23 in the song's album "Rebel: Les Élémens / Telemann: Sonata e-Moll / Gluck: Alessandro". In this album, this song's track order is #7. In terms of popularity, Les Élémens, Simphonie Nouvelle: Loure II is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Les Élémens, Simphonie Nouvelle: Loure II by Jean-Féry Rebel, Musica Antiqua Köln, Reinhard Goebel having a BPM of 90 with a half-time of 45 BPM and a double-time of 180 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.
This song is in the music key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Violin Sonata No. 7 in G Minor "L'immortelle": III. Sarabande | Jean-Féry Rebel, Eco dell'Anima | C Minor | 3 | 5A | 107 BPM | ||
Airs for the Autumn: Night Shade: I. Aria: Pastorale vivace | James Oswald, The Broadside Band | D♭ Major | 2 | 3B | 135 BPM | ||
Concerto grosso in B-Flat Major, 1 No.3: IV. | Pietro Locatelli, Orchestre De Chambre De Toulouse, Gilles Colliard | E Major | 4 | 12B | 146 BPM | ||
Psyche, Act I Scene 1: Dance for Ambition, Power, Plenty and Peace | Matthew Locke, Ensemble Correspondances, Sébastien Daucé | D♭ Major | 1 | 3B | 122 BPM | ||
Sonata in B minor, Op.4, No.12: 3. Giga (Allegro) | Arcangelo Corelli, Monica Huggett, Alison Bury, Hopkinson Smith, Ton Koopman, Jaap Ter Linden | B♭ Minor | 1 | 3A | 133 BPM | ||
Sonata in D Major, Op. 6, No. 7: I. Grave Adagio | Tomaso Albinoni, Ensemble Barocco Sans Souci | G Minor | 2 | 6A | 134 BPM | ||
Concerto Grosso in C Minor, Op. 3, No. 11: III. Allegro | Francesco Onofrio Manfredini, Capella Istropolitana, Jaroslav Krcek | C Minor | 1 | 5A | 120 BPM | ||
Concerto I in D Major: I. Grave - Allegro - Adagio | Francesco Geminiani, Academy of Ancient Music, Andrew Manze | D♭ Major | 1 | 3B | 75 BPM | ||
Chacony in G | John Blow, Musica Antiqua Köln, Reinhard Goebel | F♯ Major | 2 | 2B | 120 BPM | ||
Sinfonia No. 7 in G Minor, RosS 533.7: I. Moderato | Alessandro Scarlatti, Dorothee Oberlinger, Ensemble 1700 | F♯ Minor | 1 | 11A | 101 BPM |
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