"Schwanensee, Op. 20: Act I No. 7: Sujet" by Pyotr Ilyich Tchaikovsky, Russian State Symphony Orchestra, Dmitry Yablonsky was released on November 18, 2002. With Schwanensee, Op. 20: Act I No. 7: Sujet being less than two minutes long, at 1:21, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 55 in the song's album "Tchaikovsky: Swan Lake (Complete Ballet)". In this album, this song's track order is #16. Furthermore, we believe that the track originated from Hong Kong. Schwanensee, Op. 20: Act I No. 7: Sujet is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Schwanensee, Op. 20: Act I No. 7: Sujet by Pyotr Ilyich Tchaikovsky, Russian State Symphony Orchestra, Dmitry Yablonsky having a BPM of 81 with a half-time of 40 BPM and a double-time of 162 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song has a musical key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Rachmaninov : Rhapsody on a Theme of Paganini Op.43 : IX Variations No.16 & No.17 | Sergei Rachmaninoff, Nikolai Lugansky, Sakari Oramo, City Of Birmingham Symphony Orchestra | G Major | 0 | 9B | 81 BPM | ||
Don Quixote: Introduction | Ludwig Minkus, Sofia National Opera Orchestra, Nayden Todorov | G Major | 1 | 9B | 80 BPM | ||
Le Corsaire: Pas de Trois - Conrad Variation | Riccardo Drigo, English National Ballet Philharmonic, Gavin Sutherland | E♭ Major | 1 | 5B | 175 BPM | ||
Piano Sonata: I. Allegro vivace | Aram Khachaturian, Iyad Sughayer | B♭ Minor | 2 | 3A | 79 BPM | ||
The Sleeping Beauty, Op. 66, TH.13 / Act 3: 25c. Pas de quatre: Variation II (Bluebird and Florisse) | Pyotr Ilyich Tchaikovsky, Mariinsky Orchestra, Uri Zagorodniuk, Sergei Roldugin, Valery Gergiev | D♭ Major | 0 | 3B | 87 BPM | ||
Symphony No. 2 in A Minor, Op. 55: IV. Prestissimo - Andantino - Tempo primo | Camille Saint-Saëns, Malmö Symphony Orchestra, Marc Soustrot | A♭ Major | 1 | 4B | 140 BPM | ||
Lieder von Robert Schumann, S. 569/R. 257, nos. 1-7: No. 3, Fruhlings Ankunft | Franz Liszt, Joseph Banowetz | G Major | 0 | 9B | 98 BPM | ||
Act II: Variation Of The Chief Dryad (Minkus) | Mariinsky Orchestra | G Major | 1 | 9B | 102 BPM | ||
Concierto Pastoral for Flute and Orchestra: II. Adagio | Joaquín Rodrigo, Sami Junnonen, Helsinki Chamber Orchestra, James S. Kahane | F♯ Minor | 0 | 11A | 80 BPM | ||
String Quintet in F Minor: II. Andante ma non troppo | Alexander Borodin, Ottó Kertész, New Budapest Quartet | A♭ Major | 0 | 4B | 141 BPM |
Section: 0.7108409404754639
End: 0.7196283340454102