Frédéric Chopin, Jon Kimura Parker's '3 Waltzes, Op. 64: No. 1 in D-Flat Major “Minute”' came out on August 23, 1988. With 3 Waltzes, Op. 64: No. 1 in D-Flat Major “Minute” being less than two minutes long, at 1:45, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 9 out of 13 in Chopin: Piano Works by Frédéric Chopin, Jon Kimura Parker. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. 3 Waltzes, Op. 64: No. 1 in D-Flat Major “Minute” is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of 3 Waltzes, Op. 64: No. 1 in D-Flat Major “Minute” by Frédéric Chopin, Jon Kimura Parker is Andante (at a walking pace), since this song has a tempo of 84 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
D♭ Major is the music key of this track. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Gnossienne No. 4 | Erik Satie, Yitkin Seow | F Major | 0 | 7B | 68 BPM | ||
6 Etudes, Op. 111: IIIa. Prélude. Moderato agitato | Camille Saint-Saëns, Piers Lane | C Major | 1 | 8B | 91 BPM | ||
Sonatine bureaucratique | Erik Satie, Yitkin Seow | F Major | 0 | 7B | 68 BPM | ||
Etude De Concert, Op. 19, No. 2 in A Major - Duo-Art 5726 | Eduardo Poldini, Peter Phillips, Desider Vecsei | A Major | 1 | 11B | 69 BPM | ||
Etudes, Op. 10: No. 11 in E♭ Major, 'Arpeggio' - Duo-Art 5523 | Frédéric Chopin, Peter Phillips, Michael von Zadora | G Major | 1 | 9B | 110 BPM | ||
Arabesque. Op. 7, No. 1 - Duo-Art 0218 | Nikolai Medtner, Irene Scharrer, Peter Phillips | B Minor | 2 | 10A | 115 BPM | ||
Samson Et Dalila: My Heart at Thy Sweet Voice - Welte-Mignon 2260 | Camille Saint-Saëns, Peter Phillips, Richard Epstein | G Major | 1 | 9B | 63 BPM | ||
Umbrawaves 05 | True Deity | F Major | 0 | 7B | 80 BPM | ||
Sonate Brillante C-Moll: III. Adagio. Con Molto Espressione | Delphine von Schauroth, Arcadie Triboi | F Major | 0 | 7B | 68 BPM | ||
Piano Concerto No. 5 in E-Flat Major, Op. 73: II. Adagio un poco moto | Ludwig van Beethoven, Reed Tetzloff, Prague Philharmonic Orchestra, Paweł Kapuła | B Major | 0 | 1B | 95 BPM |
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