"6 Etudes, Op. 111: IIIa. Prélude. Moderato agitato" by Camille Saint-Saëns, Piers Lane was released on October 1, 1998. With 6 Etudes, Op. 111: IIIa. Prélude. Moderato agitato being less than two minutes long, at 1:26, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 22 in the song's album "Saint-Saëns: The Complete Etudes for Piano". In this album, this song's track order is #11. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, 6 Etudes, Op. 111: IIIa. Prélude. Moderato agitato is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With 6 Etudes, Op. 111: IIIa. Prélude. Moderato agitato by Camille Saint-Saëns, Piers Lane having a BPM of 91 with a half-time of 46 BPM and a double-time of 182 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
C Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
A new year is like a new day | ЧЕПЦОВ Александр, LEX STONE | D Minor | 0 | 7A | 60 BPM | ||
Variazioni di bravura on a Theme by Rossini: Theme – | Cipriani Potter, Howard Shelley, Tasmanian Symphony Orchestra | D Major | 1 | 10B | 137 BPM | ||
Sonata-ballada, Op. 27: II. Introduzione. Mesto | Nikolai Medtner | D♭ Minor | 1 | 12A | 95 BPM | ||
6 Waltzes, Op. 28: No. 1, Passionato | Xaver Scharwenka, Seta Tanyel | C Major | 1 | 8B | 124 BPM | ||
6 Etudes, Op. 52: VI. En forme de valse | Camille Saint-Saëns, Piers Lane | C Major | 1 | 8B | 91 BPM | ||
Tchaikovsky: The Sleeping Beauty, Op. 66, Act 1 "The Spell": No. 6, Waltz (Arr. Rachmaninov for Piano 4-Hands) | Pyotr Ilyich Tchaikovsky, Alexandre Tharaud, Alexander Melnikov | D Minor | 1 | 7A | 90 BPM | ||
Musical Characteristics, Op. 19: VI. Prelude 2 alla Mozart | Muzio Clementi, Howard Shelley | A♭ Major | 0 | 4B | 72 BPM | ||
24 Preludes, Op. 28: No. 6 in B Minor, Lento assai | Frédéric Chopin, Hsiang Tu | D♭ Major | 0 | 3B | 99 BPM | ||
6 Pieces, Op. 21: VI. Scherzo | Pyotr Ilyich Tchaikovsky, Piers Lane | C Major | 1 | 8B | 68 BPM | ||
Die schöne Müllerin, D. 795: No. 7, Ungeduld (Arr. Godowsky) | Franz Schubert, Rian De Waal | F♯ Major | 0 | 2B | 73 BPM |
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