"La Reine de Chypre, Acte II: IV. Récitatif "Catarina !"" by Fromental Halévy, Véronique Gens, Eric Huchet, Orchestre de chambre de Paris, Herve Niquet was released on May 11, 2018. The duration of La Reine de Chypre, Acte II: IV. Récitatif "Catarina !" is about two minutes long, specifically at 2:34. This song does not appear to have any foul language. La Reine de Chypre, Acte II: IV. Récitatif "Catarina !"'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Fromental Halévy, Orchestre de chambre de Paris, Herve Niquet, Flemish Radio Choir's "Halévy: La Reine de Chypre" album is number 13 out of 33. On top of that, Spain appears to be the country where this track was created. In terms of popularity, La Reine de Chypre, Acte II: IV. Récitatif "Catarina !" is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of La Reine de Chypre, Acte II: IV. Récitatif "Catarina !" by Fromental Halévy, Véronique Gens, Eric Huchet, Orchestre de chambre de Paris, Herve Niquet to be Andante (at a walking pace) because the track has a tempo of 97 BPM, a half-time of 48BPM, and a double-time of 194 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
D♭ Major is the music key of this track. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La vestale, Act II: Récit. Du plus auguste ministère | Gaspare Spontini, Aude Extrémo, Les Talens Lyriques, Christophe Rousset | B♭ Major | 3 | 6B | 78 BPM | ||
Les Pêcheurs de perles, WD 13, Act I: Sois la bienvenu | Georges Bizet, Alexandre Bloch, Orchestre National de Lille, Les Cris De Paris | A Major | 0 | 11B | 173 BPM | ||
Les Pêcheurs de perles: Demeure parmi nous, Nadir (Zurga, Nadir, Fishermen, Villagers) | Georges Bizet, Ernest Blanc, Nicolai Gedda, Choeurs du Théâtre National De l'Opéra-Comique, Paris, Orchestre Du Theatre National De L'opera-comique, Pierre Dervaux, Orchestre du Theatre National de IOpera-Comique | G Minor | 2 | 6A | 72 BPM | ||
Cavalleria rusticana: "Voi lo sapete, o mama" (Romanza) | Pietro Mascagni, Grace Bumbry, Deutsches Symphonie-Orchester Berlin, Janos Kulka | D Major | 2 | 10B | 84 BPM | ||
Le nozze di Figaro, K.492, Act IV: Aria. "Deh vieni non tardar" | Wolfgang Amadeus Mozart, Golda Schultz, Kammerakademie Potsdam, Antonello Manacorda | G Major | 3 | 9B | 123 BPM | ||
Godard: Jocelyn, Op. 100, Act 2: "Cachés dans cet asile" (Jocelyn) | Benjamin Godard, Pene Pati, Emmanuel Villaume, Orchestre National Bordeaux Aquitaine | F Major | 0 | 7B | 69 BPM | ||
Spring Symphony, Op. 44, Part I: The Driving Boy (soprano, children's chorus) | Benjamin Britten, Sir Simon Rattle, London Symphony Orchestra, Elizabeth Watts, Tiffin Boys' Choir, Tiffin Children's Chorus, The Tiffin Girls' School Choir | D Major | 2 | 10B | 148 BPM | ||
Cavalleria rusticana: Part II: A casa, a casa (Men, Women, Turiddu, Lola) | Pietro Mascagni, Maria Callas, Giuseppe Di Stefano, Rolando Panerai, Anna Maria Canali, Ebe Ticozzi, Vittore Veneziani, Milan La Scala Chorus, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin | E♭ Major | 2 | 5B | 108 BPM | ||
Suor Angelica: Il principe Gualtiero vostro padre | Giacomo Puccini, Christa Ludwig, Dame Joan Sutherland, National Philharmonic Orchestra, Richard Bonynge | E Major | 1 | 12B | 98 BPM | ||
La Boheme, vierter Akt: Musetta ! | Coro del Teatro Municipale di Reggio Emilia, Orchestra del Teatro Municipale di Reggio Emilia, Francesco Molinari-Pradelli | F♯ Minor | 5 | 11A | 62 BPM |
Section: 1.0741169452667236
End: 1.0795886516571045